Deprecated: Function get_magic_quotes_gpc() is deprecated in /home1/rocketb1/public_html/archive/textpattern/lib/constants.php on line 136
Rocket Bomber

Rocket Bomber

Links and Thoughts 24: 11 June 2014

filed under , 11 June 2014, 08:05 by

Prince & Larry Graham, North Sea Jazz Festival 2013

Good Morning.

Light?:
Republican Congressman Demolishes The Supreme Court’s Rationale For Killing Campaign Finance Laws : Think Progress
[I chose Light as the tag – a light in the dark, a light at the end of the tunnel, a single candle to pierce the dark – I may be using it for a lot of political posts.]

Light?:
American-style War : Mother Jones

Light?:
“Even if we had a perfect mental health care system, that is not going to solve our gun violence problem. If we were able to magically cure schizophrenia, bipolar disorder and major depression, that would be wonderful, but overall violence would go down by only about 4 percent.”
Myth vs. Fact: Violence and Mental Health : Pro Publica

Living Wage: Follow up -

History:
This will no longer go down on your permanent record.
EU ‘Right to be Forgotten’ Ruling Will Corrupt History : MediaShift

Education:
Opponents shouldn’t blame Common Core on Obama and the federal Dept. of Ed. — the villain of this drama isn’t who you’d expect:
“The idea that the richest man in America can purchase and—working closely with the U.S. Department of Education—impose new and untested academic standards on the nation’s public schools is a national scandal. A Congressional investigation is warranted.”
I’m going to hide the surprise for another 2 seconds, click the link for the reveal : AlterNet

Common Core doesn’t seem all that bad to me, but I readily admit to not being educated on the topic.

Food and Foodies:
A Paean to Government Cheese

Apple:

Tech:
Lots of ‘ifs’ in this article… so about 20 years out from manufacture tests, 30 years to market.
Exotic, Highly-Efficient Solar Cells May Soon Get Cheaper : MIT Technology Review

Solar is more than photovoltaics, of course:

See also:
Warren Buffett’s $30 Billion Wager on Clean Energy Is One of His Safest Bets Yet : Motherboard
Buffet is only a Market Messiah when he supports M&A and the usual banking nonsense. When Buffet gets into clean energy, the response on The Street is… [*crickets*]

Tech:
This seems further along than exotic solar: 5-10 years until implementation. Hope you like eating pickleweed and wearing cloth made from seashore mallow.
“Indeed, Glenn points to a possible synergy between aquaculture and halophyte agriculture. Shrimp farms produce copious amounts of ‘effluent’ – waste-laden water from the shrimp. … But for halophyte-based agriculture, it is perfect: free irrigation plus free fertiliser.”
Enter halophytes: We are running out of land for traditional agriculture. Time to figure out what saltwater plants can do for us : Aeon

##

No book rec or diary today; it’s a link post only. There’s plenty here for readers to chew on, though. —M.

[subscribe: rsstwitter]
[bookmark these: http://www.rocketbomber.com/category/links-and-thoughts/]



Links and Thoughts 23: 10 June 2014

filed under , 10 June 2014, 08:05 by

The Alan Parsons Project – The System of Dr. Tarr and Professor Fether.
(For the video, the song is matched to art from Dark Horse’s Creepy and Eerie archive editions)

Good Morning.

Cities and Citizens:
Some of these ‘anti-homeless’ solutions look like they’d make excellent bike racks — so long as we also address the needs of the homeless: that’s a trade-off I’d be more than willing to make.
Anti-public bench : Isabelle Rolin – dizagneur critique

Living Wage:
“Conway did find a way to make up for lack of tip money going towards his servers, however, by creating a system where servers can make either $10 an hour or 20 percent of their individual food sales each shift.”
Restaurant Issues Ban on Tipping : Foodbeast

Tech:

Media:

The Economics of Entertainment:
“I first saw this discussed in an entirely different context as the ‘blue vacuum cleaner’ problem. A door to door vacuum cleaner salesman goes door to door. Even when the door is not slammed in their face, the prospect does not seem to be interested. Finally the prospect asks, ‘what’s color is it available in’, and the vacuum cleaner salesman says, ‘its available in white, beige, red, brown and black.’ And the prospect says they aren’t interested, because its not available in blue.
“And the vacuum cleaner salesman reports that they could sell a boatload of the vacuum cleaners, if only they were available in blue. So the company comes out with a blue model … but without the promised explosion in sales. The only change is now people say they want it in green.
“Obviously, what those people were really saying was they had no interest in buying a vacuum cleaner, but they expressed it by picking a feature that they had learned was not available.
“And this happens in online discussion spaces too. Lots of people advance what seems to them to be the more reasonable reasons … but those aren’t always the real reasons.”

“Because the reality is that there are a number of people hanging out in the online discussion spaces where you find out where to get bootlegs whose real reason for using bootlegs is that ‘I’m a freeloader who takes a free ride on the work of others just because I can get away with it’.”

“So as far the royalties-paying operation is concerned, they are phantasms. They just don’t matter, no matter how much noise they may make on some discussion forum. In this particular case, they do not offer any potential benefit to the creators of anime, and so whatever reasons they may offer as to why they bootleg instead of using legit content are of no particular relevance to the market.”

What It Takes for Crunchyroll to Satisfy Bootleg Consumers : Voices on the Square

— In the article linked above, I like how Bruce ties it back not just to ‘online’ pirates, but specifically to the subset of users who are highly conscious, high-information, very active online, and tied into a community. It just happens that the whole community is into getting things fast-and-free online. It’s a polar opposite to the “No Spoilers” crowd, who are also online but not fully engaged (‘I’ll watch it later, or maybe catch up once it’s out on DVD.’) — the anime pirate often places a higher value on the online discussion of the media even over ‘trivialities’ like proper payments to creators or legality.

see also: Copying Dickens : B&N Review

##

following up on that:
Today’s Book Recommendation is Piracy: The Intellectual Property Wars from Gutenberg to Gates by Adrian Johns (U. Of Chicago Press, 2010 paperback, 9780226401195), which covers how the ability to make copies eventually had to be reconciled with the new-fangled idea of copy rights — when copies are cheap, who gets to make money on cheap copies? [You might have noticed, we still haven’t figured that one out — or we feign ignorance or wrap ourselves in other conceits to get out of it.]

After you’ve digested 600+ pages of that, if you find yourself still hungry I’d follow up with The Empire of Mind: Digital Piracy and the Anti-Capitalist Movement by Michael Strangelove (U. of Toronto Press, 2005 paperback, 9780802038180) which despite the subtitle isn’t so much about piracy, but rather how the very democratic and very distributed nature of the web, where everyone can be a creator, has the power to disrupt the old commodity economy entirely. (YMMV; I like the concept, but I also gotta eat).

If you’re still not done with the subject, Lawrence Lessig is the obvious next stop: of his books, the ones on-topic would be The Future of Ideas: The Fate of the Commons in a Connected World (2002), Free Culture: The Nature and Future of Creativity (2005), and Remix: Making Art and Commerce Thrive in the Hybrid Economy (2009).

I’ll get my to-buy links sorted out eventually. In the meantime, you can still use most readers’ preferred option.

##

Diary entry for 10 June:

Does anyone pirate video content in a vacuum?

We find out about the content because other people talk about it (to praise it or condemn it), and link to it, and index it, and make copies available — upload sites, torrents, IRC bots, and even old fashioned FTP archives. (I hadn’t heard of anime downloads available via terminal using Gopher, but I’m about 40% sure you might be able to get some episodes via Usenet binaries — yes, in 2014).

In a pinch, I suppose fans would hand around USB thumb drives and SD cards in much the same way that the 1980s anime fans handed around VHS tapes.

The thread that connects all this activity isn’t the technology (even though the tech makes it all-too-easy) but rather the constant chatter about content between fans — online, around the water cooler (does any office still have a water cooler? are we still allowed to hang around one if it exists?) — in print media, in movie trailers and TV commercials, in the tweets of celebrities and in the darkest depths of fantumblrdom.

Today it’s called ‘viral’ marketing; it used to be known as ‘word of mouth’ — the best kind of free advertising any major media company could hope for.

The new trick is: the companies get the free, near-universal advertising they always hoped for, but then their customers help themselves to ‘free’ content. —M.

[subscribe: rsstwitter]
[bookmark these: http://www.rocketbomber.com/category/links-and-thoughts/]



Links and Thoughts 22: 7 June 2014

filed under , 7 June 2014, 17:40 by

Bread – Make It With You

Good Afternoon.

Culture:
“After all, next year, we’ll be as far removed from 1985 as the filmmakers were from 1955.”
Entire Back to the Future town to be recreated for anniversary screening : Kottke.org

Media:
You Are What You Recommend: Publishers Must Be Vigilant with ‘Related Links’ Revenue : Mediashift

Media:
“Earlier this week, I was talking with a fellow journalist about three sites that everyone lumps together, for better or worse: FiveThirtyEight, The Upshot, and Vox. After running through the things I liked and didn’t like about each, I circled back to Vox and said that evaluating it at this early stage felt a little unfair. Unlike the other two, which benefited from a relatively long period of buildup, Vox was born quickly.”
How Vox.com was built in 9 weeks, not 9 months : Nieman Journalism Lab

Books:
Four Lessons Libraries Can Learn From Amazon : Digital Book World

Cities and Citizens:
How TV Predicted America’s Moves From City to ‘Burbs and Back Again : Next City

##

Today’s Book Recommendation is Present Shock: When Everything Happens Now by Douglas Rushkoff (paberback isbn 9781617230103) — the title is an obvious riff on Future Shock, written by Alvin Toffler in 1970, and I was reminded of both by the Kottke.org article on Back to the Future [linked above] — especially the intriguing little factoid: We are as far from Marty McFly’s 1985 as Marty was from the 1950s.

We are always marching bravely into the future, most of the time blindly; occasionally running forward while looking resolutely back. Rushkoff differs from Toffler in that he says we suffer not from anxiety in some far-off, imagined future, but instead from the problems of the future now — we live in a sci-fi world (flying cars and jetpacks notwithstanding). Everyone’s favorite example is the smart phone: how do we explain to Marty in 1985 about accessing Google Maps, Wikipedia, and YouTube on the computer we all carry in our pockets? Marty doesn’t even know about the internet and web browsers yet. (Since Marty owns a walkman, maybe he’d get grounded if we started with Spotify or Pandora). State of the Art in ’85 would have been the very first generation of Macs: 8MHz processor, 512K of memory (up from the 128K in ’84s Mac), and a built-in 9” monitor with a resolution of 512×342.

The ‘thing’ about the web, and tablets, and a procession of gadgets and apps, is that everything largely uses the same vocabulary introduced by the Mac — even when we go from keyboard-and-mouse to touchscreen tech, we still point to pick, drag to move, tap to open. A double-tap replaces the right mouse button, but that’s about the only adaptation we’ve had to make. (We’ve all seen the youtube videos of toddlers—and cats—sitting down to use iPads. So long as this remains the UX goal of future designers, we will never experience ‘Future Shock’ with consumer technology ever again. The joke about seniors and VCRs will have to be explained to our great-grandkids; they just won’t get it)

So while a time traveler from 1985 would have to learn how to use a computer, or a smart phone, odds are good that anyone travelling from today to 2045 will likely be able operate just fine. We already know the ‘tech vocabulary’ of screens, menus, apps, windows — a world without obvious buttons, tech we now use even when we watch TV — on Tivos, DVRs, and Netflix. (In some ways, the future will be easier because the only store left will be Amazon, all the food will be Soylent, the GoogleUber cars will drive themselves, and they’ll be more than happy to drive you to the spaceport so you can board the Axiom.) Your toaster has a computer chip in it, your fridge is connected to the internet. The change we’ve seen in just the last 10 years has been enough for lifetime.

…and that’s the point of Rushkoff’s book: we’re drowning in the now, “the dissonance between our digital selves and our analog bodies”. We can always unplug, but for many of us, being offline just doesn’t seem like an option anymore. I take my laptop with me to pubs and bars; I’m a bit anachronistic that way, as most people are happy to sit there with their phone. Check messages, check email, send a text, check email again, if the rest of your friends are running late (someone is always running late) then check your Twitter or Tumblr or Facebook. And when it’s time to ‘have fun’ the phones get put away for a minute, but come back out so we can Instagram, Snapchat, and Tweet about all the fun we’re having. Sometimes you know where you’re going next, after the bar; sometimes you don’t: “When’s the movie playing?” “I feel like pad thai” “How late are they open?” “Here, let me Google that…”

I’ll get my to-buy links sorted out eventually. In the meantime, you can still use most readers’ preferred option.

##

[subscribe: rsstwitter]
[bookmark these: http://www.rocketbomber.com/category/links-and-thoughts/]



Punk Rock Friday Night

filed under , 6 June 2014, 21:14 by

“There were only 60 kids in the audience, but every one of them formed a band”

There is only one Ramone’s song and it’s been playing non-stop for 40 years.

Raw energy, 3 chords and a sneer, attitude (in-YOUR-face) and the small stage pressure cookers of British pubs and New York clubs –

The embeded videos in this post (at 8 hours) [here’s a Youtube playlist] are just a sampling. If you only have time for one, the first video posted below, at 40min, is a nice bite and intro; though Punk/New Wave 76-78 is an amazing collection of original video sources.

##

Some clubs in the 70s were playing Disco, to dance to. DJs were learning to beatmatch and cross-fade to stretch ‘long cut’ 12-inch vinyl records from 6 minutes to 15 or even 20 minute mixes — to keep the beat going, to keep the crowd dancing. Those skills, and the equipment used, eventually led to at least three whole new genres of music (I covered this The Electronic Sound and Post-instrument Music – and disco more recently; no, I’m not linking to disco again).

If we over-simplify things, Punk was everything Disco wasn’t — instead of being lush and orchestrated, Punk was (at most) 2 guitars, a bass, and a drummer. There are no horn lines or string sections. The songs don’t even last 3 minutes — a band could play their whole set in a half hour. It’s just as well there were so many punks and they all formed bands, because you’d need at least 6 acts to fill the play bill.

One did not dance to punk music. You bounced, you screamed, you hit things.

There was some overlap between the working class punk rockers and the art school rock (Velvet Underground, Blondie, Talking Heads) that would go on to inform later New Wave — the thread that ran through the whole decade was experimentation and rebellion. But anger — anger at the older generation, at the ‘establishment’, at the government, at the economy, at the ‘mainstream’ music — Anger is the defining attribute of Punk. Sometimes the anger is just a put-on and an act, but in punk, it’s always there.

Some bands were more interested in experimenting, with finding the possibilities in the media and the technology: the 70s also brought us Prog Rock, Pink Floyd, Synth Roch, rock-and-roll “operas” and Broadway shows, the first wave of Heavy Metal, and Zappa’s impossible-to-classify-WTF. Past the clichéd-disco-jokes it seems like every genre of music was re-inventing and re-defining itself.

In the midst of this 70s mess, the Punks broke down the stage door like a breath of fresh air with three convictions for B&E. Maybe they are the descendants of 50s Rockabilly, or just the latest version of the ‘garage band’ sensibility that seems to infuse every generation (and every decade) of music, but Punk brought vulgarity and grit, street-smart and back-alley wariness, and balls-out-both-hands-flipping-you-the-bird, turn-it-up-to-11-and-fuck-you. (eh, that doesn’t quite capture it all, but it’s a good start for a working definition of Punk.)

We’re overdue for a punk revival, maybe. Is 2014 that different from 1974?

Roots of Punk, BBC Documentary (40min)

“In 1976—first in London, then in the United States—‘New Wave’ was introduced as a complementary label for the formative scenes and groups also known as ‘punk’; the two terms were essentially interchangeable. NME journalist Roy Carr is credited with proposing the term’s use (adopted from the cinematic French New Wave of the 1960s) in this context. Over time, ‘new wave’ acquired a distinct meaning: Bands such as Blondie and Talking Heads from the CBGB scene; The Cars, who emerged from the Rat in Boston; The Go-Go’s in Los Angeles; and The Police in London that were broadening their instrumental palette, incorporating dance-oriented rhythms, and working with more polished production were specifically designated ‘new wave’ and no longer called ‘punk’. Dave Laing suggests that some punk-identified British acts pursued the new wave label in order to avoid radio censorship and make themselves more palatable to concert bookers.” — Wikipedia: Punk

Punk & The New Wave 1976-1978 (1hr8min) [bonus period commercials!]

Another State of Mind, Punk Documentary, 1982 (1hr18min)

but were the 90s really “Punk”?

One Nine Nine Four, documentary on the 90s punk revival, from 2008 (1hr21min)

There were others who came first: the MC5, The Stooges and The New York Dolls — But many of us mark the start of Punk in 1974

“Out in Forest Hills, Queens, several miles from lower Manhattan, the members of a newly formed band adopted a common surname. Drawing on sources ranging from the Stooges to The Beatles and The Beach Boys to Herman’s Hermits and 1960s girl groups, the Ramones condensed rock ‘n’ roll to its primal level … The band played its first gig at CBGB on August 16, 1974, on the same bill as another new act, Angel and the Snake, soon to be renamed Blondie. By the end of the year, the Ramones had performed seventy-four shows, each about seventeen minutes long. ‘When I first saw the Ramones’, critic Mary Harron later remembered, ‘I couldn’t believe people were doing this. The dumb brattiness.’

“The term punk initially referred to the scene in general, rather than a particular sound—the early New York punk bands represented a broad variety of influences. Among them, the Ramones, The Heartbreakers, Richard Hell and The Voidoids, and the Dead Boys were establishing a distinct musical style. Even where they diverged most clearly, in lyrical approach—the Ramones’ apparent guilelessness at one extreme, Hell’s conscious craft at the other—there was an abrasive attitude in common. Their shared attributes of minimalism and speed, however, had not yet come to define punk rock.

“In July 1976, the Ramones crossed the Atlantic for two London shows that helped spark the nascent UK punk scene and affected its musical style—‘instantly nearly every band speeded up’. On July 4, they played with the Flamin’ Groovies and The Stranglers before a crowd of 2,000 at the Roundhouse. That same night, The Clash debuted, opening for the Sex Pistols in Sheffield. On July 5, members of both bands attended a Ramones club gig. The following night, The Damned performed their first show, as the Sex Pistols opening act in London. In critic Kurt Loder’s description, the Sex Pistols purveyed a ‘calculated, arty nihilism, [while] the Clash were unabashed idealists, proponents of a radical left-wing social critique of a sort that reached back at least to … Woody Guthrie in the 1940s’. … This London scene’s first fanzine appeared a week later. Its title, Sniffin’ Glue, derived from a Ramones song. Its subtitle affirmed the connection with what was happening in New York: ‘+ Other Rock ‘n’ Roll Habits for Punks!’”

The Ramones – End Of The Century (1hr48min) [bonus Spanish subtitles!]

Punk´s Not Dead (1hr36min)

I think in some future post I might revisit New Wave (plus a look at how Punk ‘became’ Alternative Rock and Grunge) and of course the 70s is rich music history.

Born To Be Wild – The Golden Age of American Rock | 1970s (58min)



Links and Thoughts 21: 6 June 2014

filed under , 6 June 2014, 08:05 by

X OST, Sadame (Satou Naoki)

Good Morning.

Geoengineering:
Moving Mountains.
China’s Mountain-Flattening Experiment Is Not Going Well : Motherboard

*I’m filing this one under Don’t Be A Dick
These Are the Words You Gotta Stop Using : The Bold Italic

Cities and Citizens:
“Garrick says that some cities, such as Cambridge, Massachusetts, and more recently Washington, D.C., have made good headway in reversing the trend toward massive parking lots that overwhelm the human scale and lead to downtowns devoid of people. ‘It’s very hard for people to realize, and it’s very hard to prove that planning is the reason,’ says Garrick. ‘But this is the result of planning.’ Better planning, he says, could mean a restoration of cities where the streets are for people, not cars.”
How Parking Lots Became the Scourge of American Downtowns : Citylab, from The Atlantic

Tech:
Years after the first prototypes were displayed at trade shows, Qualcomm may finally have solved their Mirasol problem — the next question is how much the new tech costs, and if they can make it work at manufacturing scale.
Qualcomm’s Mirasol display just got a lot more interesting : Geek.com

Tech:
…but don’t cut up your credit cards, yet.
Why American Express Wants to Kill Credit Cards : Wired

Entertainment:
The estimates are from a PricewaterhouseCooper report, so the numbers are probably better than the usual white paper, but are still projections.
Video streaming services could make more money than the US box office by 2017: Report says video on-demand will make up 43 percent of US film industry : The Verge

The ‘magic number’ in 2017 is $14 billion. You know which part of the entertainment industry clears $14 billion right now? Book Retail. (good old fashioned books – and that’s retail trade, not the total publishing number) — well, OK, so I just checked the
Census retail numbers and bookstores only cleared $11.8 Billion in 2013. Total US ‘box office’ receipts for the movie industry in 2013 was $10.3 billion, for comparison.

I love numbers — so plain, black & white, hard to argue with (we do it anyway). Books are boring, movies are sexy (and so is TV again, in this new ‘golden era’) — so of course the books get no respect.

Books might actually be quite a bit more than $14 billion, but Amazon doesn’t break out and report sales numbers on their book (or ebook) business. (Census Bureau reporting on retail does not include online sales.)

##

No one is giving me flack for the steady diet of non-fiction, so I’ll stay the course. Today’s Book Recommendation is Retrofitting Suburbia: Urban Design Solutions for Redesigning Suburbs by Ellen Dunham-Jones and June Williamson (Wiley paperback isbn 9780470934326). The book seems thin for this price, but includes a lot of case studies and plans and nuts-and-bolts — not just theory but some solid ideas that really should work. In fact, I’d say it is more solidly aimed at architects as opposed to city planners or the lay reader, but if you want ideas on how to re-use the now-emptying shopping malls that litter the suburban landscape: I’d start here.

I’ll get my to-buy links sorted out eventually. In the meantime, you can still use most readers’ preferred option.

##

Diary entry for 6 June:

Netflix got snarky, and instead of an error message, sent some Verizon customers a notice that ““The Verizon network is crowded right now,” placing (I believe) appropriate blame for any degradation in quality or pauses in service.

Verizon didn’t like that. In fact, Verizon just sent a Cease and Desist letter to Netflix, asking them to knock-off all that bad-sounding truth-telling — of course, the technical details are more complicated than that…

But the base argument that Verizon makes is that their network is just fine, there are no clogs, there’s no reason Netflix’s data shouldn’t be streaming just fine over Verizon’s network — so the problems are obviously Netflix’s fault.

Here’s my take: Netflix provides data to any customer who asks for it over the internet. Presumably, this includes Verizon’s customers, and since millions of people subscribe to Netflix, there really isn’t any surprise here. Verizon emphatically states (to the point of getting lawyers involved) that there is *no* problem with their service.

So instead of providing ‘internet access’ as promised, and what their customers are paying for, Verizon is inserting bottlenecks between their network and the rest of the internet. We can be charitable, perhaps, and say Verizon didn’t install the bottleneck, they just refuse to upgrade their network to fully support the customers they have. If you don’t have enough connections to handle the traffic, Verizon, I suggest you build more — or if you won’t, you should at least be honest with your customers as to which ‘internet’ and how much of it you actually provide access to. Maybe Verizon should stop accepting new subscribers until these connections are up to snuff — after all, consumers don’t pay Verizon for fast speed to the local neighborhood sub-router, people pay lots of money every month for access to the internet and last time I checked, Netflix is part of the internet.

Be honest about what you supply, and what is happening here, Verizon. Netflix is big, sure, but Netflix is not at fault. At least, that’s my take on it. —M.

I am not a Verizon customer. I’d gladly pay for FiOS speeds, actually — yes, even knowing what Verizon is doing (or not doing) in the Netflix matter — but Verizon hasn’t been particularly eager to expand their fiber to enough neighborhoods; mine certainly isn’t included.

[subscribe: rsstwitter]
[bookmark these: http://www.rocketbomber.com/category/links-and-thoughts/]



Links and Thoughts 20: 5 June 2014

filed under , 5 June 2014, 08:05 by

Punjabi & Hindi Nonstop (15min) Bass Mix by DJ Gill

Good Morning.

Yes, my musical tastes are… eclectic. (Of course, sometimes I’m just pulling your leg with the daily music embed, but there’s no way for anyone to tell the difference.)

Tech:
“[A]t some point you stopped focusing on delivering things that people really wanted. You have lost focus on the people using this platform, and that’s the first step toward losing touch and becoming obsolete.”
An Open Letter to Mark Zuckerberg : Re/code

Tech:
The future of mobile phones doesn’t include phone calls : Quartz

Tech:
If they really want to expand, maybe they should run a Kickstarter

Tech:
“Logistics experts have questioned whether a decentralized model that uses retail stores designed for shopping can really work as substitutes for warehouses designed for shipping. But ultimately logistics is a math problem, and math is something Google is really good at.”
With New Overnight Delivery, Google Confirms It Wants to Be Amazon : Wired

Psychology:
“I submit that the unifying core, the essence of jerkitude in the moral sense, is this: the jerk culpably fails to appreciate the perspectives of others around him, treating them as tools to be manipulated or idiots to be dealt with rather than as moral and epistemic peers. This failure has both an intellectual dimension and an emotional dimension, and it has these two dimensions on both sides of the relationship.”
A Theory of Jerks: Are you surrounded by fools? Are you the only reasonable person around? : Aeon

##

Today’s Book Recommendation is to first, read this review, Jill Lapore writing for the New Yorker, Away From My Desk: The office from beginning to end

Nominally the review is of Cubed: A Secret History of the Workplace by Nikil Saval (hardcover, April 2014, isbn 9780385536578) though in covering both the book and the topic, Lapore also gives us background on the 1951 book, White Collar: The American Middle Classes by C. Wright Mills (available used in several editions, Oxford University Press’s ’56 paperback is 9780195006773, which might be the best place to start your search). The book review covers (in part) the life of Mills and the reaction to his work, along with the scope of Saval’s book and a wide ranging essay on ‘cube life’ in the modern office. This essay-masquerading-as-a-book review is an excellent read and makes me eager to follow up on the topic with both Saval and Mills.

I’ll get my to-buy links sorted out eventually. In the meantime, you can still use most readers’ preferred option.

##

[subscribe: rsstwitter]
[bookmark these: http://www.rocketbomber.com/category/links-and-thoughts/]



Links and Thoughts 19: 4 June 2014

filed under , 4 June 2014, 00:57 by

Stevie Wonder Talkbox : Sure, everybody knows Frampton, but Stevie does it just as well.

Good Afternoon.

Economics:
“Curiously, economists don’t tend to find much interest in such questions—really fundamental things about values, for instance, or broader political or social questions about what people’s lives are actually like. They rarely have much to say about them if left to their own devices. It’s only when some non-economist begins proposing social or political explanations for the rise of apparently meaningless administrative and managerial positions, that they jump in and say “No, no, we could have explained that perfectly well in economic terms,” and make something up.
“After my piece came out, for instance, The Economist rushed out a response just a day or two later. It was an incredibly weakly argued piece, full of obvious logical fallacies. But the main thrust of it was: well, there might be far less people involved in producing, transporting, and maintaining products than there used to be, but it makes sense that we have three times as many administrators because globalization has meant that the process of doing so is now much more complicated. You have computers where the circuitry is designed in California, produced in China, assembled in Saipan, put in boxes in some prison in Nevada, shipped through Amazon overnight to God-knows-where… It sounds convincing enough until you really think about it. But then you realize: If that’s so, why has the same thing happened in universities? Because you have exactly the same endless accretion of layer on layer of administrative jobs there, too. Has the process of teaching become three times more complicated than it was in the 1930s? And if not, why did the same thing happen? So most of the economic explanations make no sense.”
Spotlight on the financial sector did make apparent just how bizarrely skewed our economy is in terms of who gets rewarded: David Graeber explains why the more your job helps others, the less you get paid : Salon

Misc.:
The Food Politics of Pokémon : Modern Farmer

Cities and Citizens:
“It is a user experience where we are the chefs and our city is the restaurant. As planners, we try to create great recipes and menus for our city—mixed-use here, open space there, retail here, and then sprinkle in a little streetscape. Then other chefs, like developers and business owners, come in and use our recipes to create a dish, or developments and neighborhoods. Each restaurant has multiple and unique dishes, just like cities have multiple and unique neighborhoods.”
The Case for Neighborhood Bars : Planetizen

Cities and Citizens:
“Similarly, to every designer who says ‘I talk to the people’ we should say ‘You’re supposed to talk to people!’ The people make our market. Who are we planning, designing, and building for if not the public? Rule number one is to avoid insulting them by calling them idiots, NIMBYs, crackpots, crazies, or the like, in any public forum.”
Placemaking begins and ends with the people: The secret of success for urbanists is to listen more and strive to connect with the folks that we serve.

Tech:
“Those five stages — technical possibility, social adoption, regulatory reaction, civil disobedience, and negotiated settlement — argued Shirky, are likely going to echo throughout the sharing economy over the next few years.”
Finish This Sentence: Napster Is to iTunes as Airbnb Is to What? : Next City

Tech:
Apple’s two-hour WWDC keynote in 10 minutes : The Verge
see also:

“Apple offered features and services to counter Google on nearly every level yesterday, and it’s going to be more than a little interesting to see how Google reacts.”
Apple’s war against Google has finally gotten interesting : Geek.com

##

Today’s Book Recommendation is Clay Shirky, Here Comes Everybody, isbn 9780143114949 (paperback, 2009 reprint)

“With accelerating velocity, our age’s new technologies of social networking are evolving, and evolving us, into new groups doing new things in new ways, and old and new groups alike doing the old things better and more easily. You don’t have to have a MySpace page to know that the times they are a changin’. Hierarchical structures that exist to manage the work of groups are seeing their raisons d’tre swiftly eroded by the rising technological tide. Business models are being destroyed, transformed, born at dizzying speeds, and the larger social impact is profound.”

At today’s rate-of-change, perhaps we need to consider it as a historical document. [myspace! *chuckle*]

I’ll get my to-buy links sorted out eventually. In the meantime, you can still use most readers’ preferred option.

##

Diary entry for 4 June:


It hasn’t been even quite 4 weeks yet since I had that thought, which became an plan, which became a set of posts (sloppy in format; because of that, ‘easy’ in execution) but of course the real problem is that a reliance on links (most people expect those to be served up fresh) means the buffer is, at most, one day.

Still, every batch of would-have-been-tweets that I turn into a blog post makes my site richer, as opposed to Twitter’s.

Jeremy Keith added a neat feature to his site, Adactio — taking the microblogging back to his own blogging platform, with some magic on the back-end to Tweet his short posts — but the notes live on his site, the tweets are just copies. It’s a neat application of available resources, though in-actual-use I don’t know if I’d have the discipline to tweet, um, quite so formally.

Though maybe I should. —M.

[subscribe: rsstwitter]
[bookmark these: http://www.rocketbomber.com/category/links-and-thoughts/]



Books are different, and special.

filed under , 30 May 2014, 20:14 by

Organic Asparagus runs about $5 a pound. Maybe less, maybe more (and in season of course). Not everyone has a local CSA to deliver organic asparagus, or a farmer’s market where they can pop down on a Saturday morning and buy a bunch, but other Asparagus Options exist. And if bloggers are blowing up websites arguing over asparagus, Organic vs Not, Domestic vs South American imports, well… I’m not seeing it.

SD Memory cards cost between $5 and $40 (or more) and the cards are available from different manufacturers and can be purchased online and in stores. I don’t even have to go to a specialty retailer; I can pick up a 4GB card from my local supermarket – no special trip, just toss it into the basket next to my organic asparagus, and maybe a impulse-buy DVD (from the checkout aisle) and altogether, I’ve spent $15: DVD, SD Card, Asparagus.

Steaks are also in that price range ($4-$20 a pound, available in store or online) and so are door knobs ($10-$50) and spatulas ($5-$20) — as are shoes, come to think of it (flipflops cost less than $5, and sure you can tell me about $200 shoes, but who buys those? ) [/SARCASM TAG]

And Books, of course.

Commodity good, runs about $10 a pound*, entirely fungible**, of note as a minor form of entertainment. We’re all familiar with books, but unless you’re a high schooler and you’ve just been assigned one – it’s hard to see why they merit further mention.

* (£13, €16 or ¥2200 a kilo)

** I don’t judge. …but, for my own sake, I’m going to link to this definition of fungible even though we all already know what it means. Because we’re smrt.

If, all of a sudden, the #4 manufacturer of SD memory cards got into a dispute with Amazon (or any other e-tailer – OR ALL other e-tailers) it might only merit a section C page 32 blip in the newspaper*** and no one outside of the manufacturers’ immediate circle would likely know or care. We’d just buy the next card offered.

*** kids, ‘newspapers’ were web pages printed out on cheap broadsheet paper and delivered daily, or twice daily, to homes: ask Grandpa about ‘em. Ask him what ‘comic strips’ looked like when he was a kid while you’re at it.

Asparagus doesn’t rate a whole slate of full-bore editorials from 500+ newspapers, newswires, magazines, blogs, and TV network websites. Shoes are more expensive (and the margins are better) (and more people buy them) but we don’t spill nearly as much ink (physical or digital) arguing about *shoes*.

Amazon doesn’t enter into a very public and very loaded negotiation with Adidas or Jimmy Choo. If a buy button (or a pre-order option) disappeared on sneakers, no one would notice. (OK, someone would notice…)

This is just my take on it [strawman]: but it seems to me that many would-be pundits want us to think of books just like we see memory cards — fungible commodity goods. Buy whatever. “You like teen vampire romance? Well, the vampires are out but try werewolves, we got plenty of those. Like cozy British mysteries? We’re working on getting those back in stock, but here, try these cat mysteries.”

Books are just the double-A farm team for *real* media anyway; nothing is worth a damn unless and until we make a TV show or movie out of it. “Oh sure, you can read if you want but I don’t know why you waste your time — hey, flip through this impulse-buy DVD bin, top 100 films of 199x, 3 for $10.”

A book wholesaler is arguing with a book retailer over which side of the table the scraps fall. Whoop whoop. [/strawman]

As widespread as this view is (in NY and LA offices, and some living rooms) Books are obviously different.

Shoes? “I’ll keep looking.” – Asparagus? “Maybe I’ll try the farmer’s market” – Spatulas? [see, there’s no quote here because no one thinks about spatulas] – Movies? “Where is the movie playing?” [no judgments, just a factual inquiry into where the movie is showing, so we can consider options]

But as soon as we learn a book might be unavailable, or worse, that we might have to wait to read it, even as much as two weeks! — or [horrors] might have to figure out some back-up place and way to buy it — well now the internet melts, people choose sides, authors and readers sharpen their debating knives, loose packs of rabid quibbles range the boards, and everyone is right while everyone else is wrong and facts and details — and common sense — are the innocent victims.

Because books.

##

You can stop here. I won’t judge.

I’ll make one final note: Even If Hachette stopped shipping to Amazon entirely, Amazon would still be able to source the physical books from Ingram, Baker & Taylor, and other book distributors and could fulfill customer orders with an additional delay of about 48 hours, at most. So the negotiation is all about the ebooks, and who gets which slice of how much margin; though I’m sure Amazon’s discounts on physical books is part of that mix. The rest of it is posturing on both sides, with some dissembling on Amazon’s part (“we don’t know when we’ll have the books”) and smug confidence that ‘public sentiment’ is on their side, on the part of Hachette.

And now I’m going to get wonky, and even more trivial and tangential.

##

Hachette v Amazon is all just business, and negotiations like this happen all the time, but the response so far feels a lot like the old ‘lit-geek vs. computer-geek smack-talking in the campus coffee shop’ I recall from college.

“What about the culture?”
“Get with the future, man.”
“The future is books.”
“…well then, the future is on sale for 35% off, free shipping with Prime. Oh, hey, I spilled some future in my Kindle, all kinds of future in here.”
… …philistine.

Amazon often elicits this style of knee-jerk response — because books.

But also: because Amazon. Enough people are threatened by Amazon that Amazon gets painted as a bad guy, and Amazon consistently ranks at the top of customer satisfaction surveys, and those two points aren’t necessarily contradictions.

But even with all the misperceptions and assumptions people make about Amazon, that fades to insignificance when we stop to look at the assumptions most people make about books and bookselling.

Let’s start with the business: Amazon may cut off Hachette, or (less likely) Hachette might drop the axe — a major supplier of content and a major reseller of content are fighting and the end result, to the consumer, is less content available from a preferred source. Would we be as worked up if, say, a major media company just pulled the plug on our TV over a contract negotiation? I think the answer to that is actually, no:

2000 Time Warner Cable v ABC/Disney
2003 Cablevision v the New York Yankees
2004 Comcast v Viacom
2004 Dish v Viacom
2009 Dish v ESPN
2009 Time Warner Cable v Fox
2010 Dish v The Weather Channel
2010 Cablevision v Scripps Networks (Food Network & HGTV)
2010 Cablevision v News Corp/Fox
2011 DirectTV v News Corp/Fox
2012 DirectTV v Viacom
2012 Time Warner Cable v NFL
2012 Dish v AMC
2012 DirectTV v the New York Yankees
2013 Time Warner Cable v CBS
2014 DirectTV v The Weather Channel
2014 Comcast v Viacom

Sometimes these disputes make the news because (some) viewers are going to miss a playoff game, or the Academy Awards, or the season premier of Mad Men. Otherwise the blackouts are of little note, especially if we’re not the in the market affected. The companies certainly don’t care; Time Warner lost 300,000 subscribers last year but shrugged and smiled. Yes, getting ‘public opinion’ on your side helps, but it’s just another bargaining chip and companies can spin it.

If we look outside of bookselling, we can see that ‘everything, always’ is by no means the usual model: stuff is on Hulu but not Netflix, or on HBO and no where else. Films and shows come out on DVD but aren’t available streaming anywhere – and occasionally, vice versa. Even in a landscape littered with dozen-screen cinemaplexes, somehow the movie we want to see is never showing anywhere local, and we have to drive 15 miles. (This always happens to me.)

But no one blames the theaters, just like no one blames Netflix, HBO, or Showtime for making original programming, and no one [EXCEPT ME] gets bitter or bothered when Netflix and Hulu have a less-than-optimal selection (though perhaps we’ve all spent 3 hours browsing for something to stream on a Friday night without actually watching anything). Screens, large and small, are just islands and way-stops in the Big Content Ocean, and we’re all used to migrating ‘cross platforms and ‘twixt companies to find something to watch.

No blogger looks at a movie showing the next county over, and extrapolates that Hollywood is going to have to capitulate to Regal, because Regal controls the market. Media and markets are of course separate, of course — you know, *except* for books.

The reader expectation is that every bookstore is going to have a copy of any book the reader can name — because books. When the local 4,000 sq.ft. shop doesn’t have it (or even the 25,000 sq.ft. big box) the immediate response is, “Well, I’ll just get it from Amazon” with the unspoken addendum, “and I’m never bothering to shop here again”.

Let’s talk numbers — but not dollars: Items.

A “supermarket” grocery store might have between 40,000-60,000 items.
Walmarts and Super Targets add onto that, and stock 100,000 items.
A large hardware store/home improvement warehouse might have 120,000 items [it comes down to lots and lots of small nuts and bolts, in every dimension]. And we’re not counting every nut – that’s 120,000 types of items, stocking multiples of each.
Your local IKEA only stocks 10,000 or so items — Yes, 3 football fields (and Swedish meatballs) but a Walmart or Super Target has more SKUs.

Do you have that in mind?
The Ikea Maze?
Canned goods on shelves 6 feet high and down both sides of 60ft-long aisles?
Wandering the warehouse-sized sales floor of Home Depot, lost, looking for a left-handed metric counter-clockwise-threaded sonic screwdriver adapter? (that’s what 120,000 items feels like.)

That’s just retail. Let’s consider ‘content’. Video content is most popular (an assumption, but a safe assumption I think):

There are 2,885,994 titles in the IMDB database (as of this morning) — though of course that’s ridiculous as individual TV episodes each get pages — it’s better to look at the breakdown and note that’s ~309,000 feature films, 122,000 documentaries, 82,000 TV series listings, another 100,000 or so of TV movies, miniseries, and specials, and some direct-to-video crap (120,000 – each a gem and a delight, I’m sure) — Big Round Numbers, that’s 1.1 Million video options, of which most are out-of-print or collectible —with a light sprinkling of stuff so new it’s not out on DVD or online, and occasionally, not even in theaters yet.

…and the ‘Movie+TV Universe’ that you probably have a mental concept of is likely just a tenth of that — 100,000 movies and shows, new and old, even including anime and imports and MST3K and the Star Wars Christmas Special and weird stuff — and the other 90% is so ‘out there’ you’ve never even heard of it, not even to point and laugh at it. Does that match up to your experience, and sound fair? 100,000 movies and shows, or about 45 years of binge watching (likely much more – multiple-season TV shows are going to take you longer to binge).

[I’ll just note here that Amazon bought IMDB in 1998. Information is power.]

(I’m building up to it, stick with me here…)

100,000 is a whole Walmart. 100,000 is every thing ever that you could possibly think to stream online. 100,000 is the number of spectators in attendance at the Michigan-Ohio game (or Tennessee home games, for you SEC fans). 100,000 is the population of Peoria, Illinois – which I always reference out of tradition when these sorts of things come up. The uber-hipster neighborhood of ur-hipster Brooklyn is Williamsburg and it has, you guessed it, 100,000 hipsters in it.

Your local Big Box Books (might as well say Barnes & Noble, no need for the euphemism anymore) has…

60,000 books in it (yeah, not 100,000) — add on the music/DVD dept. (if your local still has one) and all the non-book crapware and we’re up to 100,000, though. A B&N is smaller than Walmart because books are smaller, and pack nice-and-dense compared to almost all other retail; and you know, at $10 a pound it’d actually be a good business to get into — except for, you know, Amazon and reality.

I’ve been working on a good ‘best estimate’ of the actual number of books out there for years now, and I can never find two sources that agree. However, the general consensus is that at least six million books are in print (actively supported by publishers, with stock on hand) and another six million or so are out-of-print but still available from distributors, available used, or some few cases available print-on-demand — so that’s at least 12 million books (in English) out of at about 129 million books total [source, 2010] and another million or so get added each and every year — not including an untold number of books (we’re gaining on multiple millions) that have only been published digitally.

Forget 129 Million – go back to that smaller number, 12 Million: four times the total listings on IMDB (which includes every individual TV episode), equivalent to 100 Home Depots, each nut-and-bolt a 200 page novel. 120 Walmarts. 200 grocery stores. [furniture is bigger, even flatpacked, but] 1200 Ikeas — and we’re only considering one copy of each book

Your local bookstore is expected to carry every book ever. See, this isn’t even an ‘unreasonable’ expectation on the part of the shopping public because there’s never any thought put into it: bookstores sell books, and in 2014, that means every book ever.

every. book. ever.

How does Amazon do it? What’s the magic? 65 U.S. Distribution Centers — whole damn warehouses — with another 9 planned.

…And this is perhaps the sweetest backhanded compliment we pay to the booksellers who have worked for decades to find, order, and sell us books: There is a casual, everyday assumption that they can match that, and can match prices. This is an expectation we have of no other retailer — the unmatchable scale of the task, and unthinking gall of it — at the very least, “special order” has a much different connotation (and usually, a mark-up) outside of bookstores.

No one strides confidently into the Buick dealership and asks to order a 1954 Studebaker, but that’s an every day reality for bookstores.

It was breaking my heart, in the last year that I worked at the bookstore, when avid teenage readers started coming in asking about books their friends were reading on Kindles, and I had to explain that not only did we not have the books in store, there wasn’t even a listing, and no way on earth or in faerie for us to order them — the kids were looking for paperbacks.
(Worse, in a way, was finding a paperback listing for just one book, coming out months from now because a publisher ‘picked up’ an ebook author, when the customer was looking for all 4-5 books in what they knew was a series. My explanation fell flat. The book business is complex, and front-line book retailers should be pitied.)

For physical bookstores, though ‘every book ever’ has been the constant background murmur (and default retort) for at least two decades – after two decades of Amazon the customer base is getting tetchy.

“You don’t have it?” [sniff] “Well I guess I’ll just order it from Amazon.”

1998 (or maybe 1999) was the Golden Year for bookstores (even though the peak came later, in 2005) — in 1998, the mall stores were still open, Patterson was still writing his own books, Harry Potter was on book two and the films hadn’t ruined anything yet, and epic fantasy fans were enjoying the second book of A Song of Ice and Fire with Martin on track to release a book every other year. [“HA!”]

Amazon was an option for the savvy, but more of a footnote than a terror.

In the 15 years since: author advances have been shrinking, print runs are smaller, the ranks of independent bookstores were decimated by Barnes, Borders, and Big Box bookselling — and then Borders went out of business on us. The number of places to buy, and the shelves dedicated to books, have both been curtailed. Whether we shop at Amazon because the stores suck or the stores now suck because of Amazon: there is a feedback loop in operation that is negative for physical storefronts (and increasingly, physical formats).

Into this charged atmosphere: we insert a (routine, everyday) business negotiation between a manufacturer and a retailer.

Except books are different. Just because. I can’t explain it (any more than I have— I at least tried to). We invest emotions in books. We tie up our identity with books. We take sides, we want to argue and we want to fight, and while the ranks of readers may be small compared to the population-at-large — apparently readers are handy with words and we like to write. (who knew?) It’s only a tempest in a teapot, but there’s a great echo in here and we all like the tea.

The current discussion doesn’t matter much, and the resolution will be between Amazon and Hachette and they’ll come to terms without our input but we really can’t help ourselves.

Because books.



Links and Thoughts 18: 30 May 2014

filed under , 30 May 2014, 08:05 by

The Sweet – Little Willy

Good Morning.

##

Today’s Book Recommendation is I’m Just Here for the Food by noted, um, notable Alton Brown. Alton, by his own admission, is not a chef as we now know them (celebrities and restaurant entrepreneurs) – but I would argue that he is an educator (and… well, I guess he’s a minor food-grade celebrity too, for a certain chunk of the internet)

It’s still too early to pick one book by Alton; he has a food encyclopedia in him, but that hasn’t seen print yet. There is, of course, the Epic Good Eats Trilogy [isbns: 9781584797951, 9781584798576, 9781584799030] though this hardcover set will run you about $80 and it is a massive making of… the TV show. Food is of course covered comprehensively (as that is also the topic of the TV show) but still it seems like the recipes are incidental to the Eats (if that makes sense).

Of his other books, two stand out: I’m Just Here For the Food (v2.0 9781584795599) and I’m Just Here For More Food (9781584793410) which is the first book except baking.

You are either a fan of Alton, or not (no judgments here), but even fans need occasional reminders that Alton isn’t just on TV and YouTube.

I’ll get my to-buy links sorted out eventually. In the meantime, you can still use most readers’ preferred option.

##

*Tech:” …um, Tech? …Food? both? neither? (…People?)
The Psychology of Soylent : Ars Technica

Media:
“The old question for tech platforms like Google and Yahoo was: Are you a platform or a publisher? For upstart Medium, the answer is clearly both.
“The blogging platform, founded by Twitter CEO Ev Williams, continues to blur the line between platform and publisher. While the likes of Condé Nast Traveler and Entertainment Weekly are playing platform, Medium has gone in the opposite direction and built its own internal editorial arm alongside its larger mission of being a platform for user-generated content.”
Platform or publisher? Medium keeps blurring the line : Digiday

Tech and Culture: Two from Medium -
Diary of a Corporate Sellout: The rise and fall and rise of Upcoming.org
Let’s Stop Building Products That Make us Feel Like Shit

Cities and Citizens:
[yes, I found my tag for that ]
“While some Main Streets seem well past their prime, others – like Corning’s – remain thriving to this day. Why? A lot of it has to do with the towns and cities in which they are located, of course; it’s hard to have a well-functioning Main Street in a down-and-out community. But there are also elements of design and context that matter.”
What makes a good Main Street work? : Better Cities & Towns

Cities and Citizens:
“Cleveland could have a superstar neighborhood surrounded by a sea of distressed neighborhoods with ample supply. The city and the metro are drowning in vacant houses. The population in city and metro is in decline. Northeast Ohio has a gentrification problem.”
Turning Real Estate Market Fundamentals on Their Head : Pacific Standard

Cities and Citizens:
No one wants to host the Olympics anymore.
The Bidding For The 2022 Olympics Is A Disaster Because Everyone Figured Out That Hosting Is A Total Waste : Business Insider

##

Diary entry for 30 May:
[see next] :) —M.

[subscribe: rsstwitter]
[bookmark these: http://www.rocketbomber.com/category/links-and-thoughts/]



← previous posts          newer posts →


Yes, all the links are broken.

On June 1, 2015 (after 6 years and 11 months) I needed to relaunch/restart this blog, or at least rekindle my interest in maintaining and updating it.

Rather than delete and discard the whole thing, I instead moved the blog -- database, cms, files, archives, and all -- to this subdomain. When you encounter broken links (and you will encounter broken links) just change the URL in the address bar from www.rocketbomber.com to archive.rocketbomber.com.

I know this is inconvenient, and for that I apologise. In addition to breaking tens of thousands of links, this also adversely affects the blog visibility on search engines -- but that, I'm willing to live with. Between the Wayback Machine at Archive.org and my own half-hearted preservation efforts (which you are currently reading) I feel nothing has been lost, though you may have to dig a bit harder for it.

As always, thank you for reading. Writing version 1.0 of Rocket Bomber was a blast. For those that would like to follow me on the 2.0 - I'll see you back on the main site.

menu

home

Bookselling Resources

about the site
about the charts
contact

Manga Moveable Feasts!
Thanksgiving 2012
Emma, March 2010
MMF [incomplete] Archives


subscribe

RSS Feed Twitter Feed

categories

anime
bookselling
business
comics
commentary
field reports
found
general fandom
learning Japanese
linking to other people's stuff
Links and Thoughts
manga
Manga Moveable Feast
metablogging
music documentaries
publishing
rankings
rankings analysis
recipes
recommendations
retail
reviews
rewind
site news
snark
urban studies


-- not that anyone is paying me to place ads, but in lieu of paid advertising, here are some recommended links.--

support our friends


Top banner artwork by Lissa Pattillo. http://lissapattillo.com/

note: this comic is not about beer

note: this comic is not about Elvis

In my head, I sound like Yahtzee (quite a feat, given my inherited U.S.-flat-midwestern-accent.)

where I start my browsing day...

...and one source I trust for reviews, reports, and opinion on manga specifically. [disclaimer: I'm a contributor there]

attribution




RocketBomber is a publication of Matt Blind, some rights reserved: unless otherwise noted in the post, all articles are non-commercial CC licensed (please link back, and also allow others to use the same data where applicable).