Deprecated: Function get_magic_quotes_gpc() is deprecated in /home1/rocketb1/public_html/archive/textpattern/lib/constants.php on line 136
Rocket Bomber - business

Rocket Bomber - business

Two Nook Notes [updated]

filed under , 21 June 2010, 09:56 by

I’d like to remind everyone that my day job, my paycheck, is Barnes & Noble.

[if you think that makes a difference, I’d invite you to read some of my columns]

Anyway, two points I’d like to bring to everyone’s attention:

First: Listed over at Nikkei.com, Headline: Tezuka Manga Available Soon On Nook E-Reader — and the only bit I can read (since I’m not shelling out $90 for access to Nikkei for the full article) “Manga by the late Osamu Tezuka, the creator of Astro Boy, will be available on Barnes & Noble Inc.‘s Nook electronic book reader.”

I think it’s an odd announcement: not that the manga is going e- (a development we all expected, and something that will have to stand on its own merits depending on the print-to-e conversion) but that they call-out Nook as the platform.

update 9:00PM 21 June:
Someone was kind enough to email me the following, which was a nice confirmation of information available to me as a B&N employee:

“Manga by the late Osamu Tezuka—best known as the creator of Astro Boy—will be available on Barnes & Noble, Inc.‘s NOOK electronic book reader as early as this autumn. Teaming up with New York-based publisher AmericanDream Publishing Inc., Tezuka Production Co. is expected to release English translations of Tezuka’s major works, including Phoenix and Black Jack. Three or four stories [sic], totaling about 100 pages, will likely sell for around one dollar each”

So, I think by ‘stories’ we can clearly see that they mean individual chapters (given the page count) and we’ll chalk that up to a translation error.

As we all know [see Kodansha] an article on Nikkei is great — as close to the source as we can get, in many cases — but plans and results are two different things. I have full confidence in TezukaCo. but have to wonder about this AmericanDreams Publishing — who are they? Nothing came up on a Google or wiki search (yes, I’m a lazy blogger) so I’m guessing they’re a start-up?

And as previously noted, it’s odd this comes out as nook news, as the nook uses the ePub format and this could have been just as easily pitched as an iPad announcement and as such would have set the manga-blogosphere on fire. Color me skeptical, and unimpressed, but secretly hopeful: [Phoenix on an e-reader?! Aw heck yeah!]

[original post continues]

Second Nook Note:

Via cnetB&N adds $149 WiFi-only Nook, cuts Nook 3G to $199

As the cnet article notes: ball is now in Amazon’s court.

And now, I need to stop blogging from the break room, go clock in, and actually get to work. boo. :(



Rethinking the Box: Selling Books in the Post-Book Era

filed under , 10 June 2010, 08:04 by

So sorry. one more click.

redirects here



Geek Biz Report, week ending 6 June 2010

filed under , 7 June 2010, 14:07 by

Lead Story: Borders gets it’s sh!t together, investors shrug: stock price goes up a whole 10¢

there is an extended editorial posted in the article above this one.

& Just quick links for the rest this week (I’m already posting late)

Publishing

► Yet another article on self-publishing, but this one is from the Wall Street Journal.

► I’ll note here that the WSJ has been publishing a whole series on The Future of the Book

Hardware

► Not really news: it pays to buy last year’s tech — in the midst of iPad post-launch-glow and the leaks and subsequent nerdgasm over the 4G iPhone it’s good to note that the iPhone 3G S is only $97 from Wal-Mart.

Yes, Wal-Mart. Early adopters and continual upgraders pwn the web coverage of these devices, but from this point forward, it is the Wal-Mart masses that will truly be the Apple user base. Look on my works, ye Mighty, and despair!.

Editorial

► This is just too weird not to link to, though there is absolutely no factual basis to the claims. (I think) Apple Didn’t Beat Microsoft, Robbie Bach Did: Apple’s Secret 5th Column

related: Mac Daily News does they own takedown of the Enderle column.

I firmly believe that in a heads-up contest between conspiracy theory and Human Stupidity, stupidity and incompetence is always the most likely answer. Occam’s Razor.

RBGSX

Aggregate prices on the Rocket Bomber Geek Stock Index fell 37.57 points (-3.85%) to 937.36. This doesn’t reflect poorly on the industry, which is chugging along as well as can be expected, but is merely an expression of broader doubts about things like oil spills, the Euro, and the lingering recession.

Charted: 23-week RBGSX Aggregate Price

[past 23 weeks, starting from 12/31/09]

& the 25 stocks: CBS Corporation (NYSE:CBS), The Walt Disney Company (NYSE:DIS), News Corporation (NASDAQ:NWSA), Sony Corporation (NYSE:SNE), Time Warner Inc. (NYSE:TWX), Viacom, Inc. (NYSE:VIA), Wiley John & Sons Inc. (NYSE:JW.A), The McGraw-Hill Companies, Inc. (NYSE:MHP), Lagardere SCA (EPA:MMB), Pearson PLC (NYSE:PSO), Scholastic Corporation (NASDAQ:SCHL), Amazon.com, Inc. (NASDAQ:AMZN), Books-A-Million, Inc. (NASDAQ:BAMM), Borders Group, Inc. (NYSE:BGP), Barnes & Noble, Inc. (NYSE:BKS), Hastings Entertainment, Inc (NASDAQ:HAST), Indigo Books & Music Inc. (TSE:IDG), Best Buy Co., Inc. (NYSE:BBY), Netflix, Inc. (NASDAQ:NFLX), Navarre Corporation (NASDAQ:NAVR), Activision Blizzard, Inc. (NASDAQ:ATVI), Electronic Arts Inc. (NASDAQ:ERTS), GameStop Corp. (NYSE:GME), Nintendo Co., Ltd (OTC:NTDOY), and Apple Inc. (NASDAQ:AAPL)

Please note: nothing here is investment advice. full disclaimer



Geek Biz Report, week ending 30 May 2010

filed under , 29 May 2010, 23:23 by


Lead Story: “FUNimation Entertainment’s strategy and capital requirements are distinctly different from those of the Company’s core business. While FUNimation’s recent results have generally met expectations, the strategies required to grow the business include co-productions of original anime content, social networks and digital broadcasting. The Company anticipates that those plans are best executed with ownership that has assets or expertise in those areas.”

That’s from Navarre’s Official Press Release — and word that Navarre is looking to maybe sell FUNimation isn’t bad news. They’ve highlighted that this is a business that could grow, with more capital and the right ownership. They’ve noted that FUNi’s day-to-day operations (production of localized DVDs) is outside of their other, core business lines. They aren’t making any rash moves: the PR, in fact, merely says that they’ve hired expert help to look at the situation.

The last time I remember something like this, B&N spun off GameStop — and we all remember what has happened since then: store closings, drop in stock value, sliding market share, looming bankrup…

What’s that? GameStop now operates 6,450 outlets in 18 countries — and even in a recession has been opening new stores and growing revenue and is the market leader? All because someone made the choice to let GME stand on it’s own, and seek new money in the market: GameStop raised $325 Million in it’s initial public offering back in 2002, and they’ve used it well.

Navarre is looking to sell FUNimation, as a unit, outright (I bought a lottery ticket today, just in case) rather than spin it off — but the fact that they are looking to grow their brands through considered investment (& perhaps, careful divestment) rather than kicking FUNi to the curb (or having a fire-sale) should be considered, with a few tiny reservations, as good news.

Media Conglomerates

► So, did you know General Electric bought Universal from French conglomerate Vivendi SA and merged it with NBC into a new standalone company, not surprisingly called NBC Universal? That’s old news, happened in ’04; But were you aware Comcast, cable operator of note, was buying controlling interest (51%) of NBCU from GE for $30 Billion Dollars?

This one kind of slipped past me because it was announced back in December, when I was a tad busy running a retail store during the holidays. It’s also been a slow simmering process, not a lightning strike, not least because of the anti-trust issues this raises. If approved & completed, Comcast takes ownership of NBC in about a year, no sooner.

Related: Universal rebuilds & improves their back lot

► TV Sucks. That’s why I don’t own one. [oh, fine, the actual headline is CBS Cancels 7 Shows”]

Related: …CBS may lag in the ratings but they’ll have to pry it from Redstone’s cold, dead fingers: He’ll Never Sell CBS or Viacom

Book Retail

Amazon reconciles with Penguin

► Borders may have new investment, and a new chairman, but the man behind the curtain is still Bill Ackman if he exercises all the warrants he ‘bought’ by loaning BGP money during the depths of the credit crunch. If he felt the (additional) investment was worth it, Ackman’s Pershing Square could end up owning 36% of the company.

Related: Ackman also buying major holding in Citigroup and is the focus of a new book, Confidence Game: How A Hedge Fund Manager Called Wall Street’s Bluff

► It happened in Canada, so you likely never heard and don’t care, but a mistake by Penguin CA compounded by some seemingly preferrential shipping terms meant Chapters had copies of the year’s most anticipated book in stock and for sale up to 11 days before smaller independent retailers even saw the book. This has many otherwise polite Canadian bookstore owners pissed.

In the U.S. there was an embargo on the book (The Girl Who Kicked the Hornet’s Nest in English translation, isbn 9780307269997) until the official release date, 25 May.

This is standard operating procedure; there are at least two major releases with strict on-sale dates each and every Tuesday that I, as a retailer, have to observe else I face fines [per contractual agreements] — or worse, delayed or even cancelled shipments of future hot new releases. How Penguin CA missed this is odd (though oversights do occasionally happen) and I hope, at the least, they can offer additional discounts on Stieg Larssen titles for the affected Canadian booksellers.

DVDs

Coinstar drops electronic payments division to focus on their RedBox self-serve DVD kiosks. This seems to be where the DVD rental business is heading, at least as a stop gap for a decade or so, until even Grandma streams all her video from the net.

► Speaking of which, Blockbuster is failing, hard, and I’m not sure what, if anything, is proping the comapany up. — yeah, Blockbuster has kiosks too, but those are built and run by NCR [an ATM manufacturer, among other things] and I get the feeling Blockbuster only gets a licensing fee for the name. NCR won’t step in to bail out BB, if it turns south; if anything they’re likely salivating at the chance to buy the brand on the cheap.

Video Games

Electronic Arts filed their Annual Report this week – highlights: while 2010 wasn’t as big a year for EA as 2009, they still reported net revenue of $3.6 Billion (down from $4.6 Billion in 2009, & about what they did in 2008). Billions. So, how much of that ended up as profits? Ah, um, well, they actually reported a loss of $677 Million. Video Games: not recession proof. The good news is that losses were less than what the company dropped in 2009; last year they reported losses of $1 Billion.

aside: Doesn’t this EA map of operations look like a Bond Villain’s?
“Number 2, have the data and agents for the next operation in our Singapore office by Tuesday.”

Digital/Hardware

Tivo also reports losses, now into a sixth straight quarter

Apple is getting some pushback from NBC and Time Warner on lack of Flash for iPad

Acer, the laptop manufacturer, announces new slates in both an e-reader and tablet form factor

► Missed it last week, but the headline is too good not to post — CNN: “What’s the bug up Apple’s @$$?”

► Sony partners up to launch e-books in Japan.

Editorial

Not much in the way of commentary this week, past what I posted above in the lead. Added some section headers to make the breakdown (and potential relevance) of links a little clearer. That’s all folks. Now, let’s run the numbers:

RBGSX

Aggregate prices on the Rocket Bomber Geek Stock Index rose 31.86 points (3.38%) to 974.93. As you can see from the graph below, we’re yo-yoing right now and I couldn’t begin to tell you why.

Charted: 22-week RBGSX Aggregate Price

[past 22 weeks, starting from 12/31/09]

& the 25 stocks: CBS Corporation (NYSE:CBS), The Walt Disney Company (NYSE:DIS), News Corporation (NASDAQ:NWSA), Sony Corporation (NYSE:SNE), Time Warner Inc. (NYSE:TWX), Viacom, Inc. (NYSE:VIA), Wiley John & Sons Inc. (NYSE:JW.A), The McGraw-Hill Companies, Inc. (NYSE:MHP), Lagardere SCA (EPA:MMB), Pearson PLC (NYSE:PSO), Scholastic Corporation (NASDAQ:SCHL), Amazon.com, Inc. (NASDAQ:AMZN), Books-A-Million, Inc. (NASDAQ:BAMM), Borders Group, Inc. (NYSE:BGP), Barnes & Noble, Inc. (NYSE:BKS), Hastings Entertainment, Inc (NASDAQ:HAST), Indigo Books & Music Inc. (TSE:IDG), Best Buy Co., Inc. (NYSE:BBY), Netflix, Inc. (NASDAQ:NFLX), Navarre Corporation (NASDAQ:NAVR), Activision Blizzard, Inc. (NASDAQ:ATVI), Electronic Arts Inc. (NASDAQ:ERTS), GameStop Corp. (NYSE:GME), Nintendo Co., Ltd (OTC:NTDOY), and Apple Inc. (NASDAQ:AAPL)

Please note: nothing here is investment advice. full disclaimer



Geek Biz Report, week ending 23 May 2010

filed under , 23 May 2010, 08:17 by

Lead Story: Japan Recovers. W00T!


[a new spring, after a near-20-year-long winter. Image Credit, non-commercial CC license]

Deflation is still an issue, as consumer prices fall in Japan and the effects of global commerce continue to give headaches to those who must traffic on such wild waters, but growth is growth — and if the sum creative output of Japan from 1990 on is what they as a nation managed in a slump, well, maybe suffering is good for art but one also hopes that good times for Japan means good times for Japanese Consumers and good times for Japanese Manga and Anime; and as one of the bottom-feeders who only get to dine of the mere scraps of Japanese Content that manage to filter down through mulitple layers of muck before it is available to my (American) market, I look forward to more and tastier tidbits.

##

“The news story speaks for itself, but this one has really caught us by surprise as CMX is one of the few imprints we considered ‘large’ and ‘safe’”

I’ll skip my first response to the news (though it’s still up, two posts below this one) and instead link to my more reasoned analysis

► Navarre (NASDAQ:NAVR) owns Funimation, anime localizer of repute and the reason NAVR garnered a place on the RBGSX, but Navarre is quite a bit more than just a content company; it’s one of those ‘consumer & lifestyle brand’ companies (like Conglom-O in Rocko’s Modern Life) so occasionally there’s an announcement like this:

Navarre Corporation Announces Encore’s Acquisition of Punch! Software

…which has nothing to do with anime or Funimation, but thank several gods that at least one anime DVD house has a successful corporate parent that isn’t betting it all on otaku.

► Disney [pre-Marvel] tries a type of comics; fails. (in related news, [as linked] Disney as a corporation has it’s own shudder-inducing fan sites.)

Best Buy expands to UK. Hey, you know who else tried that? Borders.

While on the topic: Best Buy also making forays into streaming video

Good Luck. …but nothing says desperation (or perhaps, “oo, oo, me too!” -ism) like showing up late to the party in last years trendy kit.

► Axis of Evil: “Amazon.com Inc., the biggest online retailer, created a shopping application for Apple Inc.’s iPad tablet computer, expanding its reach with the help of a rival device.”

Three Hundred Sixty Five. – submitted without further comment.

► Wired.com has a roundup of available tablets, kinda like the iPad though all are lacking, one way or another similar to their previous roundup of e-readers

► You know all that licensed crap? No, not the cool lunchboxes or Japanese Figma (or manga and anime, which are also ‘licensed’ but in a different sense) but the crap: trinkets, tchotchkes, t-shirts, jigsaw puzzles, bad board games, pens, journals, vibrators, bondage wear, and other apparel — you know, the crap? Crap has it’s own expo

► Throw Down: Apple says search is dead, Apps the future – so

[Geek Biz Editorial]

Yes, Apple is right. Apps are the future, in that tailored, curated experiences seem to be all the general public wants, so long as all the ‘general public’ wants is a set of predefined experiences anticipated for them in advance by Big Brother Apple or whichever gate-keeper we choose for ourselves.

Weather, Scores, Headlines, Funny?

Sure, queue it up.

But every now and then we need something we don’t even know the name of yet. Or we want it all, without filters. Or we just want to double-check your ass. We want to drink from the firehose, even if initially we don’t know what to make of all that info (right away) and our underwear gets wet.

Apps are Apps, the Internet is the Internet, and it’s best not to confuse the two.

And the Internet is literally [literally and without irony literally everything] so:

There are four sliding scales: User Experience, Information, Accessibility, and Veracity.

The best information means nothing if we can’t find it. The most accessible information means nothing if it’s not true. A slick UI is criminal if it only points to incorrect info, and even when it’s easy to find verifiable, comprehensive, and close to exhaustive data on just about any topic — the system is still broken

My point would be that the internet, and the iPad, are still human systems and subject to human error, whether that be an open honest system that is vulnerable to concerted attacks, or the hubris of a Steve Jobs who will claim to know every last thing we really want to do with a computer, and so closes out options of what we might or could do with the hardware.

Neither side of this debate is right. But, given an option, I’ll take a Mad Max Thunderdome of competing ideas, some of which try to kill me but all of which are available, over a Zardoz artificially-created walled garden, which seems perfect but piggybacks (and is parasitic upon) the wild internets just beyond the protective bubble.

[Do I have to provide links? One hopes you get the pop-culture references, or can wiki them.]

[/editorial]

► So, my notes on this next link (past “Dear Matt: re-read and comment on this when you are sober.”) were “First Impression: Someone Needs to Synthesize This with McCloud and Start Preaching the Effin’ WORD.”

Since there wasn’t time for sober reflection this week, I’ll let my first impression stand.

##

Retailer News:

Borders gets $25 mil, new chairman. I’ll also note the current [interim] CEO of Borders, Mike Edwards, really wants the job. Since he was the VP of Merchandise prior to the temp-stint at the top — and as such, is a bookseller — I hope they give the opportunity to him. It takes a brave person to stand on top of a huge steaming pile that was someone else’s fault and say, “No, I really like it here; please, give me the job, give me a chance to make this better” [that was a paraphrase and putting words I’m not sure he ever said into Edwards’s mouth. That, and He Must Be Nuts but more power to ‘im]

Bamm reports Q1 earnings – highlights: sales down but company still makes money. (and really, that’s all we need to know)

And almost not-news but everyone is going to make a fuss about it:

Barnes & Noble to offer digital self publishing

[yeah, and I suppose this is editorial too, but it feels more like common sense]

That is to say, if you have a book, and since the actual costs to bring most books into an ‘e-book’ format are minimal, if not semantic, and since B&N has this huge honking website anyway (to say nothing of the new e-book appliance they’re shoving down the throat of an almost-ready market) – Your hopes and tears and e-book-ready manuscript can be swept up by a major company with nothing but the promise of a database listing & a contractual agreement to give you ‘some’ of your profits.

Sure: Now folks can buy your e-book on nook or bn.com; but: you still have to sell it yourself. B&N is providing access, not support. This isn’t even a Faustian bargain, this is more like the book deal we’d offer to Sisyphus.

[once again, I’ll ask you to wiki any reference you didn’t get — classical, not sci-fi, but really: those are interchangeable (if not overlapping) fandoms]

this is actually B&Ns second foray into self publishing, though B&N only took a 49% stake in that company. B&N sold the entirety of the self-pub. business to their largest competitor and washed their hands of this mess years ago, until the new technology made it stupid-easy:

“Say, I’m looking for a broadcast platform but instead of facing the internet, which is bold, brash reality, I instead insist that I’m an Author and the message I intended to relate is Most Definitely A Book. No, not a blog, a book. I find it hard to believe my doc file is only 60 pages, you’re formatting it wrong; did you try a larger font size? Or a different font?”

more on self-pub — Cory Doctorow @ Publishers Weeklyfirst column (of five, so far) & the latest

[/editorial]

##

Aggregate prices on the Rocket Bomber Geek Stock Index fell 31.37 points (3.22%) to 943.07. Again, this has nothing to do with the actual companies traded, it’s just the markets are fragile (between the euro-crisis and BP attempting to sell us the gulf shrimp & seafood plate , blackened, and dressed in oil.)

Charted: 21-week RBGSX Aggregate Price

[Went back for historical prices to 12/31/09; we’re slowly working up to first, a 26-week graph, and eventually a full year. After a year, presuming my attention span holds out, I’ll graph-and-post a rolling 52 week window of the RBGSX]

& the 25 stocks: CBS Corporation (NYSE:CBS), The Walt Disney Company (NYSE:DIS), News Corporation (NASDAQ:NWSA), Sony Corporation (NYSE:SNE), Time Warner Inc. (NYSE:TWX), Viacom, Inc. (NYSE:VIA), Wiley John & Sons Inc. (NYSE:JW.A), The McGraw-Hill Companies, Inc. (NYSE:MHP), Lagardere SCA (EPA:MMB), Pearson PLC (NYSE:PSO), Scholastic Corporation (NASDAQ:SCHL), Amazon.com, Inc. (NASDAQ:AMZN), Books-A-Million, Inc. (NASDAQ:BAMM), Borders Group, Inc. (NYSE:BGP), Barnes & Noble, Inc. (NYSE:BKS), Hastings Entertainment, Inc (NASDAQ:HAST), Indigo Books & Music Inc. (TSE:IDG), Best Buy Co., Inc. (NYSE:BBY), Netflix, Inc. (NASDAQ:NFLX), Navarre Corporation (NASDAQ:NAVR), Activision Blizzard, Inc. (NASDAQ:ATVI), Electronic Arts Inc. (NASDAQ:ERTS), GameStop Corp. (NYSE:GME), Nintendo Co., Ltd (OTC:NTDOY), and Apple Inc. (NASDAQ:AAPL)

Please note: nothing here is investment advice. full disclaimer



I've more optimism than the situation deserves.

filed under , 22 May 2010, 09:08 by


[image credit Ape Lad, from his Laugh Out Loud Cats, non-commercial CC licensed]

The original title of this post was “Recent bad news not new; just fallout from the Manga ‘Market Correction’ of 2009”

Yes, it’s grim. By the time I’d waded through years of backstory and got to my conclusion, though, I’d changed my tone: still cynical, still worried, but hopeful.

##

ICv2 produces some lovely charts and numbers, which go back to 2001 (Dec. of that year for graphic novels) and while the data is limited to estimates of Diamond sales through local comic shops, it’s better than nothing and I for one appreciate all the hard work they’ve done. (I only wish I’d thought to track something similar, using my methods, that far back.) (and that I had time. Maybe I should rethink being a store manager and settle back into something less demanding at the bookstore)

In fact, if you look at ICv2’s Dec ’01 GN Chart you will in fact find manga already on it. Later volumes of manga (Inuyasha 10, Dragonball Z 7) and also at $12.95, $14.95, and even $15.95 price points. (the third book charting that month was Dark Horse’s Dirty Pair)

So at the dawn of manga (or at least as far back as I’ve reputable sources) manga was a niche, it was expensive, it sold through the direct market, and while not a chart topper yet, Viz and Dark Horse were doing well enough with manga that each could put at least one volume into the Top 25.

Numbers from Feb. 2002 show Ranma 1/2 almost breaking into the top 10 (and already, at that point, at 19 volumes) and [I’m going to wear out the [em] tags in this post] the 6th volume of shojo staple Fushigi Yugi coming in at #20 — out of all graphic novels, mind, it outsold Blade and Spider-Man volumes that month — and this is a $15.95 shojo manga (and likely flipped, at this early date). It’s also worth noting that ICv2 bases these numbers on Diamond’s sales to the direct market, which were and are non-returnable — so your Local Comic Shop guy was seeing enough movement on shojo manga in 2002 to order it in quantity.

Mind blown yet?

In March of 2002 the number one graphic novel was Dark Horse’s Lone Wolf & Cub, already in it’s 20th volume — and number one. (Also in March ICv2 expanded it’s Graphic Novel Chart from 25 to 50 — and later extensions have followed over the years — so the picture becomes a little less fuzzy as time goes on. As the market expanded, so did their coverage. Thank several gods (and some eldrich powers) that Milton Griepp & his fine staff were on hand to think of this stuff 10 years ago.

With an expansion to a top 50, we also get to see how the first Tokyopop volumes were managing in the direct market, #38 Cardcaptor Sakura vol 6. Already $9.99 at that point, but also still flipped? as I recall, since unflipped 2nd editions of that series went on sale later.

And early shades of Naruto Nation are also in place, as new volumes of Lone Wolf & Cub each take the #1 slot on these GN charts until November 2002, when a couple of Justice League volumes finally knock LW&C (then up to vol 28) out of number one. It only managed #3 that month.

Eight months at number one. Not bad for those dinky little paperbacks.

By December of 2002, Tokyopop was cracking the top 10 (with Love Hina, not surprisingly) and the manga market, as we knew it, was well under way.

##

I could do play-by-play commentary on a decade’s worth of charts, but I’ll spare you.

If one was a fan back then, or if you knew your history — or you forced yourself to learn it — then taking an afternoon (say, a Saturday afternoon) to click through charts at both ICv2 and Comichron.com (The Comic Chronicles is kinda like Five Thirty Eight for comic books) then there’s a lot to learn — like, how far Graphic Novels have come in 10 years, with manga being a part of that but also the expansion of the ‘literary’ and biographical end of the GN market, and the collection and reprinting en masse of the whole 20th century newspaper comic strip corpus…

My point is, it’s a bigger pie — in fact, there are lot more pies out there these days — and so a slightly smaller slice of pie is still a feast compared to what was available 10 or 8 or even 5 years ago.

In April of 2005, again according to ICv2, Manga accounted for 29 of the top 100 titles, with estimated combined sales (in that market) of 53,000 volumes.

By April of 2010, manga seem to have slipped with only 15 titles in the top 100, and sales of a scant 20,000 or so units… via comic shops. The bookstore market is the new home of manga. But even ICv2 numbers can still provide insight: expanding from their top 100 to top 300, manga takes up 50 slots and total sales of 37,000 units — yes, in this one market it dropped, but still not bad for a format that has expanded well beyond the LCS, and is diluted by the wealth of other offerings available.

Those Fushigi Yugi Fans who bought enough copies to put shojo into the top 20 of an LCS sales reckoning in 2002 have long since moved on to Borders and other chain bookstores, and they were followed by a “generation” (I use quotes because, 3 maybe 4 years, c’mon) of manga fans who didn’t know there was any other way to read manga besides plopping down on the floor and clogging up the aisle at the local Borders or B&N. It certainly didn’t occur to a lot of these folks to buy it — which is of course part of the problem, and why quite a few stores are cutting back on the voluminous manga offerings that seemed our Tezuka-given right just three years ago. And we’re in a recession besides.

##

The total pie is a lot bigger; there are many more publishers interested in Graphic Novels these days:

in addition to stalwarts Fantagraphics and Drawn & Quarterly, and Legacy Houses DC and Marvel, and long-time syndicate reprinter Andrews McMeel, and long-standing dark horse Dark Horse, and creator-initiated Image — we’ve added First Second, Top Shelf, Boom!, Dynamite, IDW, Devil’s Due, SLG, HNA Abrams’s Amulet and ComicArts, and Scholastic Graphix —

and a mass retooling of some older imprints — Random House’s Pantheon, Three Rivers Press, Villard — and of course Del Rey; Disney’s Hyperion; HarperCollins’s Harper trade-paperback imprint and Collins Design; Houghton Mifflin Harcourt adding Comics to it’s “Best American” anthology series; Tintin via Little Brown & Co.; Macmillan’s Hill & Wang, Metropolitan Books, and St. Martin’s Griffin; Penguin’s Philomel, Plume, Perigee, and others; Simon & Schuster’s Alladin, Touchstone, and others — that now carry graphic novels as a matter of course, in addition to & alongside their other offerings —

and Last Gasp and Heavy Metal are still truckin’ and still putting out the weird and wonderful, just like they have since the 70s —

And while a number of manga publishers came and went in the past decade (ADV, Aurora, Broccoli, CMX, ComicsOne, Central Park Media, DramaQueen, DrMaster, Go!Comi) and a few seem on the ropes (Udon, Seven Seas, Netcomics, Media Blasters) and at least one seems like an anime co. afterthought (Bandai) we still have 5 viable manga publishers: Dark Horse, Del Rey, Tokyopop, Viz, and Yen Press. [edit: 5 large publishers; there are at least two smaller viable manga houses: Vertical and DMP. See the comments]

  • Dark Horse was first, they will be last [in my opinion]. DH has a care for the material, a cautious business sense, an adventurous creative sense, and other things (Hellboy, Star Wars) to keep the company going even after a manga title tanks underperforms.
  • Del Rey has the backing of Random House for marketing and distribution, a relationship with Kodansha that has survived thus far and looks safe, a reputation amongst fans built on Genshiken and other great titles, and a backup plan: a deal with Cartoon Network for things like Ben 10 and Bakugan — and yes, we scoff, but that TV-to-comic-book fluff sells like hotcakes and keeps my Shugo Chara in print.
  • Tokyopop was about to go under, I feel — or at least be so far gone the brand would be sold to someone who wouldn’t mismanage it — but it looks like one lottery ticket bought: a massive bet on Priest and the heavy involvement of Stu Levy in same, might make enough money to not only save a lot of collective bacon, but to revitalize the brand, provide operating capital for at least 2 more years, and make Tokyopop relevant again (at least for the span of one media news cycle). Not all underlying problems have been fixed, but T’Pop is leaner, smarter; still has a marketing, distribution, and content deal with HarperCollins; and just seems meaner these days, though their rah-rah-cheerleader-bubblegum email updates need to retooled or scrapped. Seriously. And I’m not all that big on the Tokyopop Tour idea either, but that’s because I’m old and crotchety and I don’t buy into the ‘fan’ thing, I Buy Books. (I would say we’re an untapped market, but no, I’m close to tapped out, so yeah, go get some new fans.)
  • Viz. is Viz. I can’t even begin… well, I’ll try. Viz has a longstanding arrangement with Simon & Schuster for bookstore distribution and marketing support — not that they need marketing support since Shonen Jump, the occasional cable TV anime, and established brands like Pokemon pretty much sell themselves. To its credit, Viz takes that money and returns with more product: Shojo Beat, SigIKKI, Viz Signature, the Ghibli Library, and massive extensions of almost-there-but-otherwise-wouldn’t-make-it properties like One Piece and Pluto. —no, really: who else would print dozens of volumes of One Piece after the initial sales fell flat? And who would have published Pluto at all? The VizKids line (Zelda, Pokemon) even without Naruto or Bleach would generate enough cash to run a manga publisher; Viz has an embarrassment of riches, but also the grace and poise (and massive available catalog) to pull it off with style.
  • And Yen. Yen has the full backing of Hachette, who not only fronted enough cash to bootstrap Yen Press from nothing to 6 out of the top 10 NYT bestsellers in a scant two years, they paired that with the hire of Kurt Hassler (who in later years will be known as the [insert title here] of manga) and the commitment to at least two years of Yen Plus, an anthology magazine. Though the recession killed off Yen+, the imprint bravely soldiers on with an expanding catalog of manga and manhwa and begs the question: what if this kind of company had launched in 2004, rather than 2006?

In a decade: five manga publishers where there used to be two (just Dark Horse and Viz back in the murky pre-history of manga fandom)

I’d say, even given the current climate, that ain’t bad. It’s a 150% increase, in fact.

In the interim, a lot of product was put out — some of it great, a lot of it marginal, at best — and a lot was made of the inroads to ‘major’ markets (though 4 whole bookcases of manga in one of the major chains, while nice, do not constitute the mass market) and double-digit sales growth and the ‘sudden surge’ of manga — but I think, in retrospect, we can frame it thus:

  • 1992-2005 saw a major expansion of comics (under the guise of ‘Graphic Novels’) — into new genres, new markets, new fan bases, and new appreciation of the form. I pick 1992 because of the Maus Pulitzer – though it was also the year Scott McCloud presumably started work on Understanding Comics [which actually first saw print in 1993] which has since become the primer and first source for a “generation” of both artists and critics (again, generation in quotes, and I don’t mean to slight Eisner in this context; it’s just that Eisner didn’t have the internet) (and I think the critics love to cite Scott more often – artist read it and take it to heart, critics [alas] use it as a framework to judge, to our loss) (that digression aside…)
  • 2003-2007 saw Kurt Hassler, and other bookstore buyers, buying manga. Yep. They bought it. It wasn’t a “major expansion” as no bookstore had ever really bought it before. (feel free to tell me about your obvious outlier: I’d love to know which bookstore stocked manga before Tokyopop) Here’s the thing: from zero to one guy at one chain showing an interest, to other chains matching to compete in a new market, and suddenly you go from a Diamond direct market also-ran to thousands of volumes shipped and shelved in the course of a year. This was a good time to sell manga. A lot of folks saw a good thing and thought they’d pile on. No one really understood the underlying causes, though, and few thought of the realities of selling to the bookstore market — sure, it’s fine when volumes turn (it’s a money machine) but as soon as demand slacks, for whatever reason, the stores use the returnablity of volumes (it was in the distro&sales agreements you didn’t read) to their advantage, and when the economy turns south, they use it with a vengeance.

The Manga market didn’t fail in May of 2010, the writing was on the wall after the Christmas of 2007. But publishing does not react quickly. Titles on sale for 25 December 2007 were in the pipe a year earlier, and after those tanked there remained other titles still in the pipe for release over the next 6-12 months. Manga publishers could see the problem but translators had already completed work, license fees were paid long-ago, and contracts with printers had been signed.

And the two past recessions had only lasted 8 months — the smart business move was to borrow cash, keep moving, and rely on the fact that things would be better next year. Then 2008… wasn’t kind.

We as fans didn’t see the immediate results of the recession, because contractual obligations meant books were made, printed, shipped, and shelved even after we had actually stopped buying them. Not only did this mask the coming market correction, it exaggerated it, as books shipped-but-not-sold weigh more and more heavily on the balance sheets of publishers.

The eventual backlash of massive returns from retailers shouldn’t have been a surprise coup de grâce but no one was planning for a downturn; all the graphs pointed Up Up Up… but the graphs only started in 2001-2002, at the very beginning of the last rebound. Some basic assumptions were quite wrong. Even given the two ‘minor’ blips (the eight-month recessions of 1991 and 2001) there was a 25-year trend of nothing but blue skies, with the occasional cloud, and even clouds seemed to have silver linings. No one planned for credit-default-swap-fuelled meltdown; no one knew what CDFs were. 2008 hit us in the back of the head like a lead pipe. In retrospect, yeah, we can kinda-sorta sort things out, but there was no way to plan for how consumer markets reacted.

##

So manga was a ‘thing’, a consumer trend right at the tail end of 25 years of an over-performing US economy.

Consumers would buy anything, and one of the coolest anythings around were manga and anime DVDs. In this overheated consumer market, a lot of companies tried anime and manga, a lot of product was licensed and released, and almost all of it was unsustainable.

Damn, it was a great time to be a fan. But companies were (even at these levels) just scraping by, borrowing money, making bets, & waiting for that Next Big Thing. If the next big thing had been something like Pokemon or Naruto, all bets paid off and the cycle started again. Unfortunately, for so many, the next big thing was the Great Recession.

We’re back to a baseline. Yes, of course I miss the market of 5 years ago. Those were heady times to be a fan, so many choices that you could afford to pick and choose the very best, and let the merely good rot on the vine. But it was never sustainable.

The legacy of the anime boom is that several major publishers (slow turtles that they are) decided to get into the manga business, and so in 2010 we have not two but five major players in the manga market, and all but one (the first, the last, Dark Horse) are backed by major book pubs or have longstanding agreements with them. And a number of imprints (or new start-ups!) are just waiting for the economy to improve, and for the fans to start buying again.

2009 was a market correction; in retrospect inevitable; regrettable but given the larger economy unavoidable.

May of 2010, when Viz announced layoffs, Go!Comi faded into that good night, and DC finally realized they owned CMX and then suddenly didn’t want to anymore — well, it seems like it all took place overnight but this has been building for years.

My hopes reside in not what happened then, but what happens next. When the economy does improve (and it may take 2 years for publishers to catch up) then what can the new, expanded manga base do for us? With a decade of experience, what can the anime localizers finally put out?

[*fingers crossed*]
(And here’s hoping Japan pulls out as well.)



Geek Biz Report, week ending 16 May 2010

filed under , 15 May 2010, 14:33 by

If you’ve been reading my blog or following me on twitter for any length of time (say, a week or so) you know 3 salient facts about me: 1. I like beer 2. I like manga & 3. My name is Matt [Usually you discover this by clicking a profile or ‘about me’ link where I say things like “Hi, my name is Matt, I drink beer and read manga”]

This product announcement fills me with serious nerdlust

##

Geek Biz Report, week ending 16 May 2010

I’m going to lead with the editorial this week; in fact I’m going to lead with a reader comment, and then my editorial, and then the biz links; if you’d rather skip my drunken rambling I can provide a link to do exactly that

From Steven Marsh, comments on last week’s Geek Biz Report

I’m a long-time site follower, first-time commenter.

I generally find your insight to be interesting, and you’re right more often then not. Still, I find your analysis of the iPad to be off-base.

First, you mention that selling one million of a $500+-product in a couple of months isn’t a noteworthy event. You cite lots of numbers that are bigger than a million. Okay, whatever. It raises the question, though: At what number threshold do you consider the number of units sold to be a big deal? At what point will they start being something to pay attention to?

10 million? That’s a trivial amount — barely enough to reach the few largest cities in the world combined. Oh, it’s also about how many Blu-Ray players there are, I believe (after four years’ head start) — and, last time I checked, most big-box retailers (book or otherwise) had Blu-Ray sections.

250 million? That’s not even enough to ensure that everyone in the U.S. has one, let alone worldwide. That’s how many iPods have been sold, I believe — and with it has come online audiobook sales, among other retail-affecting developments. To contemplate that the iPod hasn’t been a game-changer in a number of ways is, I think, foolish.

Anyway, I’m curious if you have that internal threshold for what number of iPads would be enough to take notice — or if anything less than seven billion (enough for every man, woman, and child on the planet) is not worthy of contemplation.

Second, I think your analysis of what the iPad is and does is woefully underdeveloped. I have used it to watch videos, but that’s not (in my opinion) the best usage of it — and underestimating this versatility is practically tantamount to dismissing the telephone because all you can use it for is to call your lab assistants.

Last night before I went to bed—in the span of an hour—I read a chapter of a book, played a recreation of the original Dragon’s Lair game, checked my e-mail, and started a game of sudoku. I could’ve watched an episode of something, but I decided against it. None of these would’ve been remotely convenient a year ago.

The people who derided the original MP3s a decade ago were correct but misguided: …Why would I want something that stores less than a cassette player, in worse quality? They didn’t recognize the benefits (lightweight, long battery life, convenience) nor realize the undercurrent changes in technology that would irrevocably change the music industry. Two decades before that, people derided cell phones for the same reason (Why do I want something so expensive that is worse than my home telephone?). Again, same result to the telephone industry.

I believe history is repeating itself, with the iPad. I’m not sure what industries it’s going to revolutionize yet, but calling it a TV Walkman is, I believe, ludicrous and out-of-touch.
It remains to be seen which of us is correct. :-)

Let’s review Apple, shall we?
[this article recycles, in part, some thoughts first posted 28 January]

The Macintosh was a repackaging of PARC‘s Alto user interface — if Wikipedia is to be believed, Apple engineers vistited PARC to get hands-on with the Alto, so there’s no getting around the fact that Apple’s second major success was yet another example of standing on the shoulders of giants and not the revolution propogated in commercials and the Apple company mythos. Jobs & Co. didn’t do the heavy lifting on the Macintosh; they showed up late, with some spiffy new hardware and a polished user interface that immediately captured the attention of a fraction of the market — an enduring fanbase — but the Macintosh wasn’t new, and it never held more than 10% of the PC market until just two years ago — and the more recent bump in Apple desktop & laptop sales are likely largely linked to the success of iTunes, iPods, and iPhones. Apple as a brand, and as a consumer lifestyle choice.

The iPod wasn’t new either; it was a slick revisioning of existing MP3 players. MP3s were introduced, largely, in 1994; spiked in 1997 with the advent of Winamp and other players (not to mention 1999’s Napster and other, later P2P networks) — & the first iPod went on sale in October of 2001 — long after the introduction of digital music files and quite a bit after we’d loaded up hard drives and multiple back-up media with all kinds of music [some of it illegal]. So we were listening to music [even digital music] for quite a while before Apple approached this market: Jobs & Co. didn’t do the heavy lifting on the iPod; they showed up late, with some spiffy new hardware and a polished user interface that immediately captured the attention of a major fraction of the market.

Palm/Handspring or Blackberry deserve more credit in the development of ‘smart phones’ than Apple. The iPhone wasn’t new. However, it had/has the best touchscreen available, Apple built on the success of ‘iTunes’ with their App Store, and the stars just seemed to align for the iPhone. Jobs & Co. didn’t do the heavy lifting on the iPhone; they showed up late, with some spiffy new hardware and a polished user interface that immediately captured the attention of a major fraction of the market.

— and now, we pause.

The iPad is the latest iteration of the Apple/Macintosh spirit. Sure, it’s shiny. But it’s not a desktop replacement (It was never pitched by Apple as a desktop replacement, and yet if you only read PR releases and blogs you’d swear the iPad was the second coming of the PC and all our bases belong to Jobs)

The iPad seems like a revolution. But. [*ahem*] Jobs & Co. didn’t do the heavy lifting on the iPad; they showed up late, with some spiffy new hardware and a polished user interface that immediately captured the attention of a major fraction of the market. One can make the argument that Apple ‘invented’ the tablet computer, since no other successful entrant exists to make the claim, but I’ve yet to see, read, or hear why a ‘tablet computer’ is such a good thing.

On top of that [to repost my initial response to Marsh]:

I don’t buy into the cult of Apple though I can see the appeal. I think some of it is hype, and much of the discussion is shaped by marketing. Apple makes pretty product, and they’re good at selling it.

So, in my comments on Apple and the iPad (flagged as opinion) I feel free to let rip. I Still Don’t Get It. Nintendo has 140 Million DS units out there, and doesn’t get the hype.

Actually, a million is a nice round number, and is a sustainable user base even if aliens land in San Jose tomorrow and in addition to introducing The Next Best New Thing, also drop a nuke on Cupertino on the flight in.

The iPad is here to stay.

It’s a nifty device. It’s a new platform. It’s a toy. There is nothing that can be done on the iPad that couldn’t be done in a web-browser, and as such is available to all platforms, but Apple is Apple and so they get a second look, and a free pass. Yeah, iPad, get that. It’s nice, and you spent a lot of money on it, and I hate to repeat myself: but there is nothing that can be done on the iPad that couldn’t be done in a web-browser, and as such is available to all platforms

The iPad is an internet appliance, the first of many— and actually not quite first but Apple has this knack for making their hardware seem like the first available [with an appropriate mark-up] when in fact the utility and usability of their hardware has been available for years, just without the Apple logo and outside their staked territory.

No, really. Outside of artificially constructed ‘apps’ available from the proprietary ‘app store’ the iPad does absolutely nothing new, and even the Apps are recycled [iPhone] and mostly just copy web functionality, with occasional added GPS and a price tag. It’s all just a slick interface. No matter how beautiful the interface — Not A Damn Thing Is New.

I’m a new-model luddite, in that I prefer mouse-and-keyboard over a touch screen. Hell, I ran computers from the command prompt—keyboard only—for years before I finally upgraded to Windows 95… in 1999. And after that I didn’t upgrade until XP service pack 2 — and only because I stopped building desktops and had to take whatever the laptop manufacturer wanted to sell me (eventually I’ll go to Ubuntu, I suppose, when I stop upgrading my deck every two years and settle in with some older hardware)

My first computer was an Atari 800. I went to Georgia Tech in addition to building computers, so I’ve worked with Macs and wintel, Sun SPARCstations, unix terminals, and used telnet over dial-up to the campus servers to check my email — back in 1992. I remember mudding in the basement cluster at the CoC, using Mosaic on the library Macs, and the time when Usenet slowly overtook BBSs as the internet fora of choice. I fondly recall green and amber monochrome. I know Lynx. I know Gopher. I know vi.

I tell you all this not to brag (because I’ll only come off as ‘grumpy old internet guy’) but to illustrate that the keyboard is my native tongue — the first ‘language’ I learned and still my primary interface. In fact, years of running DOS and Unix programs with nary a mouse in sight conditioned me to default to keyboard shortcuts in all their F-key, ctrl- and alt- glory — a habit that served me quite well when I switched to laptops back in 2004.

And here comes the iPhone, basically a track-pad overlaid on a backlit LCD screen. From my experience, that’s 2 things I don’t really need, but together they’re the only interface on an iPhone, except for a ‘keyboard’ that pops up when, you know, you actually want to communicate with someone.

Eventually I will be superseeded, relegated to the unix cluster of history, when the touch-this and minority-report-style-that are the last remaining interfaces. Touch-screen is fine for browsing, but blogging needs input, and the on-screen keybord isn’t quite up to the task yet. iPads are fine for passive consumption, but the internet is not TV; the new model, [grumpyoldman] the model we built, dammit [/grumpyoldman] is interaction and contribution. Read, enjoy, yes. But also remix, re-post, reply, and eventually, post your own. This is why I characterize the iPad as merely a ‘smart tv’. It is a consumption-only device.

But Computers… are Computers — with all the possibilites and applications we’ve discovered in the last 35 years. I’m going to need all of that to keep writing, to keep churning long lists of numbers into usable facts, to keep up with long-distance friendships with folks I haven’t even met yet (in person) and to keep contributing to the conversation. The internet isn’t jokes, porn, lolcats, blogs, streaming video, and quick updates on ‘social networking’ sites: the internet is a conversation a billion people have about everything and nothing, all at once. The iPad can connect to the internet— to read, watch, or consume it—but that is not the internet’s primary function. Take away the ability to react, reply, and contribute and the internet is just fancy cable TV. While some could argue that YouTube-style “video reactions” can take this role, I’m not giving up my keyboard yet. In fact, I think you’ll have to pry my keyboard from my cold, lifeless hands after my death.

[If I plan it right, I’ll have 6 months of blog posts queued and uploaded at that point so the site lives even after me. Immortality, for the short term]

Even if I persist in 20th century interfaces, it’ll be a long, long while before I have to give up my physical-button keyboard — no technology I’ve seen yet is an adequate replacement.

##

And. One Million iPads. Great. Bully for Apple.

Perspective: one mil out of One Billion Screens — oh, and those are just PC screens, and doesn’t include the additional 1.5 billion TV sets. So the iPad (at one million proud units) is just four-thousandths of one percent of the total ways we view content, and just one hundredth of one percent of available ‘computer’ screens.

Google is focused on the web: which is accessable (at least in theory) to all of the one billion PCs. I like that potential market better.

and the next internet boom will be phones not iPads — and cheap phones, at that. Twitter, as the bridge between SMS text message and the web, is better positioned than Apple or Facebook (or Google) to be the bright beacon that leads us into the new internet age, and the simplicity (some might call them limitations) of Twitter captures the core of the internet: interaction, and conversation. — and might I add, 6 billion people using mobile phones to exchange text is like the first information revolution, the telegraph on steroids and amphetimines. The internet is just getting started, folks.

Apple will do quite well with the iPad. They will continue as a company long after the iPad brand is retired, and however we consume content in 2076 (the year of Apple’s centennial) no doubt, Apple will be a part of that. Maybe not the largest part, however.

A company can be significant, successful, and profitable without controlling its market, or even directing the overall range and scope of development in it’s field, or even pioneering the new technologies that drive that market. Apple will make money. But it’s not because Apple is a leader in computers. They sell content (iTunes, a 4 Billion Dollar business), they sell a lifestyle brand, and they sell a customer experience.

It’s fine to talk about Apple in any of these contexts. It’s even OK to discuss Apple as a (very fine) hardware manufacturer, as that has always been the core of their business and is the source of both their reputation and sizable profits — but Apple is not a market leader. Through pricing and other strategic decisions, they have purposely limited themselves to niche markets and the top fraction of consumers. They do what they do very well, but they themselves are not the mainstream, or the future. And for my money, the iPad is no laptop — and that’s a deal-breaker. As fine as it is at what it does, it still falls short.

My opinion matters for naught, and Apple will make billions off of other people who don’t share my needs, background, and perspective. Like all Apple products, it’s awfully pretty. But I still think the iPad is a toy (or a TV—a special type of toy) and does little to advance computing or the development of the internet.

[/editorial]

##

Rich Johnson @The Beat on iPad – re: e-books — we owned them already

► There are two hardware-focused manufacturers who continue to play as “content” publishers, and at least one commenter is finding it hard to tell the two apart. – let me note, the DSi XL is $300 cheaper than an iPad, and also plays Chrono Trigger. Nintendo, or at least one Nintendo executive, considers the war with Sony over, and the war with Apple the next challenge

► Speaking of Nintendo and the DS, they sold 440,000 of them in March — the DS doesn’t get the coverage of Apple’s-latest; in fact, it’s considered by most as ‘old’ tech, or merely gamer tech, not worthy of blogging. Not quite a million in sales this month, but the DS is six years old already and at 140MM, total, puts iPad to shame. Since (as previously stated) I consider the iPad to be little more than an content-consumption device, I have to wonder why Apple gets all the love, while Nintendo gets zilch. [The DS doesn’t connect to the internet; that’s the only thing I’ve been able to come up with.]

Would otherwise be the lead story:

Viz Media Layoffs. There is all kinds of reaction to this news [& 1, 2, & an official response]

We’re in a recession; the news isn’t that Viz reported layoffs, but that they held on for 2 years before they had to.

► One assumes Go!Comi remains as a corporate fictional entity—and potential ongoing manga publisher at some future point—but short of outside rescue, it’s hard to see how they’ll survive the year. Once again, the web comments on this in detail.

► 4Kids reports loss. I’d love to characterize that as “4Kids acknowledges error; returns to anime” but if the Choatic bet had paid off, it’d be a whole new market. Wizards of the Coast [now wholly owned by Hasbro] was founded on less. Chaotic wasn’t a bad move on the part of 4Kids; given the success of Pokemon, Yu-Gi-Oh!, Magic and other CCG – hell, it looked like a slam dunk. Trends are not guarantees, however, and the kids didn’t pick up on Chaotic; maybe it lacked that ‘Japanese’ cuteness or some other intangible. At any rate, 4kids is now, once again, primarily a licensee with a kids anime focus

► via Pop Culture Shock, Dark Horse’s Carl Horn on Love & Wonder — while I was over at the Dark Horse site I also unearthed ‘Overdelivered’ Would Be An Understatement and Manga on the Wing

► e-books aren’t new; looks like the technology is 24 years old

► EA Not Going to Be Happy Until It Steals Shooter Market from Activision. EA also reports quarterly earnings

► The Census Bureau [love ‘em] report retail sales numbers for April.

► Lagardere SCA [owner of Hachette, and Yen Press] reports 1st quarter revenue is down, but that trends are encouraging. In fact net publishing sales are up – though largely due to Twilight, Meyer, et al.

The Age of the Blog Is Upon Us

Sony reports loss but looks to future profits

Disney is still making money

Amazon does the obvious and drops ‘free’ from it’s ebook bestseller list Dude, this took more than a year? Isn’t it obvious that ‘free’ and ‘seller’ are antonyms?

And:

► Via tested.com All of this week’s tablet news in a nutshell
► Plus Sony Considering Tablet to Compete with iPad

##

Aggregate prices on the Rocket Bomber Geek Stock Index rose 38.38 points (4.1%) to 974.44. Last week was nuts, this week was marginally more sane, and yet, stock prices are only a marginal indicator of either company strength or investment value.

Rolling 20-week RBGSX Aggregate Price

[we’re slowly working up to first, a 26-week graph, and eventually a full year]

& the 25 stocks: CBS Corporation (NYSE:CBS), The Walt Disney Company (NYSE:DIS), News Corporation (NASDAQ:NWSA), Sony Corporation (NYSE:SNE), Time Warner Inc. (NYSE:TWX), Viacom, Inc. (NYSE:VIA), Wiley John & Sons Inc. (NYSE:JW.A), The McGraw-Hill Companies, Inc. (NYSE:MHP), Lagardere SCA (EPA:MMB), Pearson PLC (NYSE:PSO), Scholastic Corporation (NASDAQ:SCHL), Amazon.com, Inc. (NASDAQ:AMZN), Books-A-Million, Inc. (NASDAQ:BAMM), Borders Group, Inc. (NYSE:BGP), Barnes & Noble, Inc. (NYSE:BKS), Hastings Entertainment, Inc (NASDAQ:HAST), Indigo Books & Music Inc. (TSE:IDG), Best Buy Co., Inc. (NYSE:BBY), Netflix, Inc. (NASDAQ:NFLX), Navarre Corporation (NASDAQ:NAVR), Activision Blizzard, Inc. (NASDAQ:ATVI), Electronic Arts Inc. (NASDAQ:ERTS), GameStop Corp. (NYSE:GME), Nintendo Co., Ltd (OTC:NTDOY), and Apple Inc. (NASDAQ:AAPL)

Please note: nothing here is investment advice. full disclaimer



Geek Biz Report, week ending 9 May 2010. [Updated]

filed under , 9 May 2010, 09:56 by

updates 9 May, 10am: added RBGSX chart and reporting to the news coverage originally posted Friday night

Lead Story:

Apple sells one million iPads. [link]

oooo…. [dr.evil] One Million iPads [/dr.evil]

[Geek Biz Editorial]

Perspective: a scant million is between the total metro populations of Tulsa, OK and Tuscon, AZ — and only half the populations of Vegas, Kansas City, Orlando, San Antonio, or Cleveland. (that is to say, still half as small of any of the five, let alone considering the combined population of 10 Million in the 5 cities cited)

Yeah, yeah, a million is a big number but it doesn’t light me on fire yet — imagine the press release: “Apple sells iPads to just under half of Cleveland, OH”

Internationally, 1 mil is one person in 12 in Beijing or London, one person in 15 in L.A. or Hong Kong, one in 20 in New York, Seoul, or Mexico City, and just one person in 32 in Tokyo.

Dude. iPad hasn’t even cracked local Tokyo fandom numbers yet. More people watch K-On in its native language than own an iPad. The market for Yui, Mio, & Asuza figures is bigger than the whole iPad App marketplace.

Don’t let 6 zeroes distract you. One Million is nothing. An extremely profitable nothing, but the iPad user base is half the size of Cleveland. There’s an Ohio Wal-Mart out there with a larger potential ‘user-base’

##

more trashing the iPad:

Disney Says IPad Owners Played 1.5 Million ABC Shows – translation: toy owners use toy to watch TV. Is this news? What else are they going to use the damn thing for, compiling spreadsheets?

Dude, these aren’t computers. They may be better than computers, for what their target market wants, and I stress again, they will likely prove extremely profitable for Apple, but it seems like people want to slot the iPad into categories where it just doesn’t belong.

I’m calling it: the iPad is the first ‘smart TV’ — it does stuff other TVs don’t, & it’s portable. Bully for Apple. But this is an old market segment: popular entertainment platforms. The iPad isn’t even a netbook, or a gimped computer, or a super smart phone: it’s just a fancy TV. It doesn’t do anything more or less than an internet-linked Wii, PSP or X-Box attached to a normal TV (or even a regular cable box attached to same).

The iPad isn’t a revolution in computers, it’s a revolution in entertainment. Dell shouldn’t be worried; Cox, Comcast, Time Warner, Cablevision, and Charter should be. If Apple announces tomorrow that they’re buying Netflix or Hulu (note: not gonna happen, but if) then your backlist-movie, re-run watching ass is pwned. This isn’t a battle for tech dominance, it’s a new struggle for who has the rights to feed you couch potatoes reruns of Lost and Gilligan’s Island (if the two are, in fact, distinct shows and not just reiterations of the same damn thing)

The sooner we all realize that, the sooner we can move the iPad buzz to TV Guide, where it belongs — and then dedicated Games sites, Tech sites, Book sites, Biz sites, and Geek sites can get back to content — the actual stuff that makes the rest exciting — with only cursory mentions of Jobs’s new TV Walkman.*

* yes, Walkman is a Sony trademark, which only shows that even with a 30-year head start, Sony still managed to drop the ball.
[/editorial]

► Speaking of popular entertainment: One Million Wii users stream Netflix. See? One million isn’t a hard number to get to.

► Gamasutra in depth on GameStop: part one; part two

I’d like to point out that GameStop, before its IPO, was a wholly-owned subsidiary of Barnes & Noble. One could argue that without the influx of outside cash (or Len Riggio’s initial buy-out) they wouldn’t have been able to buy up all their competition & expand internatonally. Which is fair. But there is also an alternate universe where B&N supplimented their music & DVD sales with in-store GameStops (honestly, these things take up ridiculously little square footage) and ended up more like a MediaPlay — except, you know, profitable and less likely to go out of business.

I get the warm fuzzies when I imagine either Riggio waking up in a cold sweat over lost opportunities — at it’s Jan. 2008 peak it was trading at 8 times it’s avg. 2003 price. Of course, the 2004 and 2009 paychecks Riggio got out of the deal certainly means he sleeps quite well. Note, currently [at least according to MSN Money] no one person or entity owns more than 5% of GameStop, so it really is a publically traded company now.

disclaimer: B&N signs my paychecks. But my blogging is neither paid nor authorised by my employer, and in fact is probably a bad idea.

speaking of B&N:

Ron Burkle sues B&N over dick-move to keep Riggios et al. in control. My gloss on the headline reveals my opinion on the ‘poison-pill’ provision; while I actually appreciate the lack of ‘corporate’ interference in day-to-day operations, and a new profit-minded corporate overlord is just going to make the situation worse, I harbor some animosity toward both Len & Steve Riggio (who still run the company, despite recent cosmetic changes) and change would be good at the ol’ employer. If the fact that B&N signs my paycheck makes you feel I’m biased, you’re welcome to take the above statements in that light.

News Corporation Reports Third Quarter Revenue Growth of 19% Generating Net Income of $839 Million; $0.32 Per Share. not much to add. The HarperCollins chunk of that is also up.

► Time Warner, home of DC Entertainment [neé DC Comics] also reported quarterly earnings; the “Highest Quarterly Profits in Company History” — all without mentioning anything about either comics or comics-based movies.

Not even Batman. yep.

CBS also reports quarterly earnings, with a more human touch, “‘I could not be more pleased with how CBS performed in the first quarter of this year, and I’m confident that Leslie and his management team will build on this success as the economy continues to recover,’ said Sumner Redstone, Executive Chairman, CBS Corporation.”

PW has an update on the publishing chunk of that, A slight decline at Simon & Schuster

Time Warner, CBS, and News Corp. all benefit from a rebound in the advertising market.

FBI can act like a hero because publishers, finally, ask them to. – Every comic, manga, & anime blogger is all over this story, and you might think I’d chime in with an editorial, but no: neither of my two editorials this week are on the HTML Comics bust. It is what it is. As an isolated incident I don’t think I can label this as either a precedent or as a seed to a trend.

Dark Crystal gets a sequel. Go Henson

Seth Godin wants you to rethink your blog as a ‘micro-magazine’. Actually, he said no such thing, but I’m reading between the lines, and thinking there are at least 10 ‘blogs’ I follow that could make that leap, if they wanted to.

Activision Blizzard is also doing the happy dance

Borders is soon to launch Kobo Actually, the web site is up, and they’re taking pre-orders for the device itself. This puts them about 6 months behind B&N, and 3 years behind Amazon and its Kindle. Is this too late? Well, the $149 price-point ($110 less than nook and kindle) is certainly a wedge to drive into the market…

But can it also compete with the iPad? You see, even in 6 months the whole market has changed.

Via Publishers Weekly: BISG all gloom-and-doom this year

We’ve been predicting the end of publishing, and by extension book retail, since Gutenburg’s second book
(“well, it certainly didn’t sell as well as the bible. I don’t see this technology going anywhere.”)

[Geek Biz Editorial]

Bookstores don’t sell books anymore [alas]

We sell atmosphere, we provide a commnunity center, a Third Place. We’ve absorbed and subsumed the role of the newstand, the music store, & the coffee shop (though Coffee Shops and even the Diner are still extant and still operate — we demand sweets, grease, and caffeine at a much greater rate than we consume books & other print; our appetite for information isn’t any less voracious, but the internet serves the ‘fast food’-style information needs quite readily. Rarely do most of us feel the need for more substantial books and magazines; and yet the underlying need is still there, and fine, white-table-cloth dining still exists even in an overwhelming world of fast food options.)

The physicallity of a bookstore is in fact something Amazon covets, and has attempted to patent — good luck with that, and of course your not only wrong but *centuries* too late to claim this as an “original invention” — and the actual bookstore — bricks, mortar, coffee, tables, comfy chairs, and books-on-shelves — when taken as a whole is the one thing that can not be pushed to a web site. You might as well think the internet will replace concert halls or sports stadia — yes, for some users, for some uses, a web site is better, but Real Life wins out in almost all cases.

E-books are fine. MP3s are fine. Everything can be had online, more conveniently, more rapidly, more often — and all that is fine. The internet has been around for 30 years, Powell’s & Amazon have been online for 15 years — and all that is fine.

And yet you still come into the bookstore, and no matter what your options, you always will. Yeah, sure, you can buy that on Amazon. But when you can’t even find it on Amazon, where do you go?

You bug me. At your local bookstore.

This is a dynamic even more potent than ‘one-click shopping’ — I just need to sell you a coffee before you leave the storefront to go order it on Amazon, because that’s the only way I will get anything out of you leeches who value a $.56 discount over expertise, knowledge, and enthusiasm for books. Customers suck.

And please, buy a scone with you coffee. It’s the only money we see these days.
[/editorial]

► last note, via the Orange County Local News Network, Comic Con Cage Match, local news edition:

[Geek Biz Editorial]

Most of us don’t care if “San Diego” stays in San Diego, because we can’t afford the badges, travel costs, hotel costs, or (in some cases) can’t even line up five days off in a row because we work for a living

Comic Con International might as well be held in orbit, at L5, and for 99% of the people who read your con reports online, hell, it is held in orbit for all we know. We read about it, we see the pictures, ass else.

It’s not about economic impact, but marketing your city/convention center, and of course, bragging rights. Even if we consider CCI as more of a break-even prospect for the host city for the actual weekend, Comic Con has a business value that extends beyond the con:

“If you can do Comic-Con, you can do the next largest meeting that comes along,” [Charles Ahlers, president of the Anaheim/Orange County Visitor & Convention Bureau] said. “It becomes a marquee event.”

This talk of restaurants and hotels and local support is nice I guess, but only pertains to the actual folks who can attend. One eighth of iPad owners, if I can tie the first editorial into the third — and permanently fixed at a mere one eighth of a million so long as the CCI is stuck in San Diego — get to attend the grand geek prom and the rest of us just read about it on the internet.

Once again: 8 times as many people now own an iPad, as opposed to the scant 125,000 who attended last years CCI. Dude.

[/editorial]

##

Aggregate prices on the Rocket Bomber Geek Stock Index fell 94.57 points (9.18%) – Despite several major firms all reporting record (or at least, quite profitable) results from the past three months. Fears over Greek Debt, Gulf oil slicks, and just the usual lizard-brain reactions of the market are to blame.

Rolling 10-week RBGSX Aggregate Price

Value at close of markets Friday 7 May 2010: $936.06

& the 25 stocks: CBS Corporation (NYSE:CBS), The Walt Disney Company (NYSE:DIS), News Corporation (NASDAQ:NWSA), Sony Corporation (NYSE:SNE), Time Warner Inc. (NYSE:TWX), Viacom, Inc. (NYSE:VIA), Wiley John & Sons Inc. (NYSE:JW.A), The McGraw-Hill Companies, Inc. (NYSE:MHP), Lagardere SCA (EPA:MMB), Pearson PLC (NYSE:PSO), Scholastic Corporation (NASDAQ:SCHL), Amazon.com, Inc. (NASDAQ:AMZN), Books-A-Million, Inc. (NASDAQ:BAMM), Borders Group, Inc. (NYSE:BGP), Barnes & Noble, Inc. (NYSE:BKS), Hastings Entertainment, Inc (NASDAQ:HAST), Indigo Books & Music Inc. (TSE:IDG), Best Buy Co., Inc. (NYSE:BBY), Netflix, Inc. (NASDAQ:NFLX), Navarre Corporation (NASDAQ:NAVR), Activision Blizzard, Inc. (NASDAQ:ATVI), Electronic Arts Inc. (NASDAQ:ERTS), GameStop Corp. (NYSE:GME), Nintendo Co., Ltd (OTC:NTDOY), and Apple Inc. (NASDAQ:AAPL)

Please note: nothing here is investment advice. full disclaimer



Geek Biz Report: week ending 2 May 2010

filed under , 2 May 2010, 01:46 by

Newsflash!: Steve Jobs posted a letter; sure, fine. Ah! but Mister Jalopy suggested a remix, which Mark Frauenfelder linked to from Boing Boing and a lot of us read it, and thoughtfully chuckled.

see also: major media (Associated Press in this case) reporting on the letter, Will Smith at Tested.com for one tech blog take [pro-Apple, to balance out the snark], and of course Adobe has a reaction

What is the letter actually about? Who cares. Both sides of the Apple/iPad v Adobe/Flash debate are, substantially, correct: We need open systems that run open standards. And both sides of this issue have some failings in one area or both, as do nearly all companies that are attempting to extract money from the gadget-and-computer-using public.

► Related: free video is still out there, but more and more sites would much rather you pay for it

Bungie Has 10-Year Plan for Secret New Game Series Headline says it all.

Well, OK, I think part of the news here is that Bungie (formally separated from Microsoft in 2007) is going to partner with Activision to distribute whatever the Grand Secret Game Universe Thing is — at least to the PC and gamer decks. (Movies and/or Cable TV and/or breakfast cereals would obvious utilize different channels). Small coup for Activision, large coup for Bungie (they retain ownership of the big secret) and potentially good news for gamers, if the thing lives up to both the legacy of Halo and the hype.

Intel, Sony, and Google gang up to provide future generations with all the TV they will ever need

Sony provides the screen hardware, Intel the chips to drive it, and Google will bake up an Android-variant dubbed Dragonpoint to run the thing. Logitech gets pulled into the mix (as providing the keyboard-cum-remote) and there’s even a rumour (though it’s a rumour reported by the New York Times) that set-top box testing is already taking place with select Dish Network customers.

[Geek Biz Editorial]

meh. I’ve already given up my TV to watch DVDs and streaming video on my laptop. In fact, I still use the external DVD player I bought 4 years ago when the internal drive failed on my first laptop (and it has in fact survived to serve both my 4th laptop and noteably, the drive-less netbook) and finding that old blog post to link back to reminds me that I’ve been without a TV since Sep. 2004 and I’ve not felt the lack, yet. Super TVs running Chrome OS on Atom chips isn’t about to get me to switch back, either. This isn’t the hardware solution I’m looking for.
[/editorial]

► Electronic Arts, News Corp, CBS, & Time Warner all report earnings in the next couple of weeks. Viacom reported earnings on Thursday — still making billions, but down slightly (4%) from last year, attibuted to lower box-office (down 6%) and the fact that their new DVD slate for Q1 2010 wasn’t quite as good as the releases for the same time period last year (strong sales of “DreamWorks Animation Madagascar: Escape 2 Africa DVD release in first quarter of 2009” is name-checked in the press release; …Really? Madagascar 2? ugh.)

Say, someone remind me to look into why Viacom is carrying $6.79 billion in debt. I’m sure it’s a movie thing, just don’t recall any news (good or bad) on the topic.

Indigo lanched their Kobo e-reader in stores and online this past Saturday which is impressive, but only if you live in Canada. No word yet on when Indigo’s partner in the Kobo, Borders, will have the device for sale in the U.S.

They better start soon… the e-reader party is getting awfully crowded.

Selling point: The Kobo streets for just $149. (Canadian, but the exchange rate is tight) — That’s a $110 less that the next lowest price point [Kindle, Nook]. Here, have some

► Amazon, not content to under-cut sales, attempts to patent ‘meeting at the bookstore or coffee shop’ to exchange goods for money. Um, I think the entirety of Craiglist could be used to prove ‘prior art’ to immediately deny the claim. Seriously, who let this past Legal? Or do Amazon’s lawyers relish a challenge?

##

Aggregate prices on the Rocket Bomber Geek Stock Index fell 23.93 points (2.27%) – Everyone was down for the week. (If I knew why I’d be making a lot of money)

Rolling 10-week RBGSX Aggregate Price

Value at close of markets Friday 30 April 2010: $1030.63

& the 25 stocks: CBS Corporation (NYSE:CBS), The Walt Disney Company (NYSE:DIS), News Corporation (NASDAQ:NWSA), Sony Corporation (NYSE:SNE), Time Warner Inc. (NYSE:TWX), Viacom, Inc. (NYSE:VIA), Wiley John & Sons Inc. (NYSE:JW.A), The McGraw-Hill Companies, Inc. (NYSE:MHP), Lagardere SCA (EPA:MMB), Pearson PLC (NYSE:PSO), Scholastic Corporation (NASDAQ:SCHL), Amazon.com, Inc. (NASDAQ:AMZN), Books-A-Million, Inc. (NASDAQ:BAMM), Borders Group, Inc. (NYSE:BGP), Barnes & Noble, Inc. (NYSE:BKS), Hastings Entertainment, Inc (NASDAQ:HAST), Indigo Books & Music Inc. (TSE:IDG), Best Buy Co., Inc. (NYSE:BBY), Netflix, Inc. (NASDAQ:NFLX), Navarre Corporation (NASDAQ:NAVR), Activision Blizzard, Inc. (NASDAQ:ATVI), Electronic Arts Inc. (NASDAQ:ERTS), GameStop Corp. (NYSE:GME), Nintendo Co., Ltd (OTC:NTDOY), and Apple Inc. (NASDAQ:AAPL)

Please note: nothing here is investment advice. full disclaimer



← previous posts          newer posts →


Yes, all the links are broken.

On June 1, 2015 (after 6 years and 11 months) I needed to relaunch/restart this blog, or at least rekindle my interest in maintaining and updating it.

Rather than delete and discard the whole thing, I instead moved the blog -- database, cms, files, archives, and all -- to this subdomain. When you encounter broken links (and you will encounter broken links) just change the URL in the address bar from www.rocketbomber.com to archive.rocketbomber.com.

I know this is inconvenient, and for that I apologise. In addition to breaking tens of thousands of links, this also adversely affects the blog visibility on search engines -- but that, I'm willing to live with. Between the Wayback Machine at Archive.org and my own half-hearted preservation efforts (which you are currently reading) I feel nothing has been lost, though you may have to dig a bit harder for it.

As always, thank you for reading. Writing version 1.0 of Rocket Bomber was a blast. For those that would like to follow me on the 2.0 - I'll see you back on the main site.

menu

home

Bookselling Resources

about the site
about the charts
contact

Manga Moveable Feasts!
Thanksgiving 2012
Emma, March 2010
MMF [incomplete] Archives


subscribe

RSS Feed Twitter Feed

categories

anime
bookselling
business
comics
commentary
field reports
found
general fandom
learning Japanese
linking to other people's stuff
Links and Thoughts
manga
Manga Moveable Feast
metablogging
music documentaries
publishing
rankings
rankings analysis
recipes
recommendations
retail
reviews
rewind
site news
snark
urban studies


-- not that anyone is paying me to place ads, but in lieu of paid advertising, here are some recommended links.--

support our friends


Top banner artwork by Lissa Pattillo. http://lissapattillo.com/

note: this comic is not about beer

note: this comic is not about Elvis

In my head, I sound like Yahtzee (quite a feat, given my inherited U.S.-flat-midwestern-accent.)

where I start my browsing day...

...and one source I trust for reviews, reports, and opinion on manga specifically. [disclaimer: I'm a contributor there]

attribution




RocketBomber is a publication of Matt Blind, some rights reserved: unless otherwise noted in the post, all articles are non-commercial CC licensed (please link back, and also allow others to use the same data where applicable).