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Rocket Bomber - Manga Moveable Feast

Rocket Bomber - Manga Moveable Feast

Emma MMF: Daily Diary, vol. 6

filed under , 19 March 2010, 16:02 by

* yes, I know these haven’t been daily; if you can look the other way, I promise to post the rest as soon as possible.

Emma, vol. 6
Writer & Artist: Kaoru Mori
Published by: CMX

192 (180) pages.
Original Language: Japanese
Orientation: Right to Left
Vintage: 2005. US edition Dec. 2007.
Translation & Adaptation: Sheldon Drzka
Lettering: Janice Chiang
Design: Larry Berry
Editor: Jim Chadwick

Publisher’s Rating: Teen Plus, for “Nudity & Suggestive Situations”
isbn 9781401211370

##

Premise: Our maid, Emma, and her lover, William, in Full-On, BBC/Masterpiece Theater-style Costume Drama; as we near the end, special extra focus on the ‘drama’ part.

##

Review:

Spoilers!

This Guy:

…is evil.

Emma,

…faces challenges.

William,

…actually, is a bit of an asshole. But when push comes to shove (& comes to the second-to-last volume), he may just be growing a pair:

Jones vs Jones!

There is a whole volume left (actually, a volume and a half, not just because vol. 7 is a fat chunka manga but also because there are an extra couple of chapters waiting at the end of volume 10) so, while we’re close to the end we’re not quite there yet. But… maybe we could have a page at the end of the book, showing the two leads each staring longingly into the dread dark of night, though they are separated by thousands of miles,

Yeah. That’s the stuff.

Click here for the archive of all Emma Manga Moveable Feast links



An Intermission: For want of a book.

filed under , 15 March 2010, 22:32 by

So, this weekend, I really needed to find Emma, vol. 8.

For some reason, it wasn’t with the rest of my Emma Collection, and I likely would have just re-purchased it but it seems that volume is in extremely short supply at the moment.

I was sure I had, in fact, bought Emma 8 just as soon as it came out, but that was before the move.

So it’s in a box. Sure. We’ll just dig it out.

Each cardboard sleeve holds ~16 volumes, some of these (the entire top layer, under the Naruto Shadow box) are all anime DVDs anyway, so only 24 or so of these to go through, no problem.

Aside: the cardboard half-boxes that I’m using here are the sleeves that our distributor uses to ship music CDs to the bookstore: they hold 30 regular jewel cases so they are known (not surprisingly) as 30-count sleeves. They’re each a foot long, and just a bit wider than your average manga so they fit volumes of both common trim sizes (and DVDs, natch). They’re great; if you have manga overflow and need to organize it (and who doesn’t) I highly recommend them. For the move into the new apartment, I put each half-box in a plastic grocery bag (so I’d have handles) and carried my entire collection of manga and DVDs up two flights, four linear feet of shelving at a time.

Anyway: wouldn’t take long to find Emma 8, right? Well, that neatly ordered stack in the corner was just the first day of moving… after that…

So, there was a lot of crap that is to say I own many fondly regarded manga volumes and anime DVDs that I just can’t part with. I’d just kind of shoved it into a couple of corners, using the four-tiered stacks as makeshift counters and tables — and that’s just fine.

Until you need a book. This is kind of like the old folk story For want of a nail except in reverse.

##

First, get your hands on some salvaged lumber.

I just so happened to have a number of board feet of 2×12s, a lesser length of 2×6s, and not quite enough 2×4s — but a trip to Home Depot sorted that out. I also picked up some 1×4 stock to serve as cantilevered shelving, and made the most of all my leftover Simpson Strong-Tie brackets — these things rock, they’re like adult Tinkertoys or Legos.

(I had leftover brackets and lumber because the bulk of this new shelving unit used to be an 11’ x 5 ‘ x 5’ loft — not that I needed a loft bed in the new place but one does not throw away good building materials)

And then I kind of reverse-designed the thing, with a concept in mind, and of course the strong conviction that the heaviest boards should be at the bottom lest the whole thing topple. I also knew that 2×4s are much stronger when oriented vertically (they tend to bow in the middle if you just lay them flat) so there was going to be about five inches of clearance between ‘shelves’ to allow for both the 2×4 (vert.) and a 1×4 (horz.) topper.

Anyway, I knew the overall height (floor to ceiling – minus a bit for the ventilation register in the corner) and I measured my collection to determine the optimal spacing, and then I just kind of built the thing from the top down.

(I used a couple of blocks cut to length as spacers for each shelf, which you can see in the pic above.)

Repeat a second time for a second set of shelves, and set up in a corner (to take up the least floorspace, and so one can support the other with minimal bracing)

And now it’s just a matter of turning these skeletons into shelving.

The shelves themselves are only 3.5 inches deep (that being the actual width of a nominal 1×4) but the whole unit stands at least a half-inch away from the wall (because of the baseboard) and so while it seems precarious, the thin cantilevered shelves are just fine for your usual 5×8 or 5.5×9 manga trim sizes.

At the base, each unit extends out from the wall about 13” — the base consists of the aforementioned salvaged 2×12’s. It’s open inside for extra storage, and topped with a bullnosed 4’ stair tread. Luckily the boards I bought fit (their just a skosh short, actually, but still are quite stable on the base) as I measured, cut, and built the two units before the trip out to Home Depot (the third that day, I think) to buy the toppers for each base.

Now, with 48 linear feet of brand new shelves, all I had to do was unpack boxes and fill the new monstrosity.

In the pic above, I have my One Piece omnibuses (three-in-ones, whatever Viz wants to call them) laying flat to save a major chunk of real estate for the rest of the series to follow (hopefully in the same 3-in-1 format) — here’s a detail:

And of course the shelf-that-is-also-the-base is a full 12” wide and quite a bit taller; I’d like to claim that I designed it to be the exact height of that Naruto vols 1-27 box set (barely visible on the left) but that’s just a happy coincidence:

(Behind the recycled Dark Crystal Manga standee you can just see the top of the rest of the lumber: already pre-measured and cut to build a third shelving unit.)

And let me remind you: this was all for want of a book. (I found it about half-way into stocking my shelves after building the damn thing, but really, after two days how could I stop, without seeing things through to the end?)

All my Emma manga, including the elusive volume 8, now live three shelves down from the top in the left hand unit (per proper alphabetical order; I am a bookseller) just about smack dab in the middle of the shelf.

I hope I don’t have to go through this kind of thing for every MMF.



Emma MMF: Lissa Pattillo

filed under , 13 March 2010, 16:08 by

Lissa Pattillo at Kuriousity sent me a few links to older reviews at her site (that URL is kuri-ousity.com; don’t forget the hyphen) including a relatively recent (September) write-up of Shirley:

“What aids Shirley considerably is the charm of its title character. She’s young and polite, and though calm and responsible, she still exudes enthusiasm and honesty like a girl her age, which makes her both admirable and easily likeable. For me this a far difference from the character, Emma, from her name-titled series, whose flat personality had the intent of sophistication but resulted more in dull tedium. Shirley on the other hand I find infectiously sweet and earnestly looked forward to her happiness even in such a short story.”

Also at Kuriousity are reviews of Vols 1 and 2 of Emma proper.

Click here for the archive of all Emma Manga Moveable Feast links



Emma MMF: Jason S. Yadao

filed under , 13 March 2010, 12:24 by

Jason S. Yadao of the Star-Bulletin’s Otaku Ohana checks in this morning to share his review of Shirley

“There’s so much potential here for Mori to explore these mysteries further, to really develop and flesh out her characters and their relationships.

And it’s pretty much wasted.

Just when I was getting into the story of Shirley and Bennett, it ended. Or, to be more accurate, their story abruptly stops about 125 pages into the book, the focus veering away to a few of Mori’s other short stories (about maids, naturally). Want to know more about Shirley and Bennet? Sorry, but you’ll just have to wait and see if anyone translates the two-part Shirley story that Mori’s drawing for Fellows! magazine starting April 15. Whether it will tie up the loose ends introduced here is debatable. It makes me wonder about the story’s original Japanese serialization and whether Mori intentionally left the story open-ended or she was forced to stop because she was either too busy with Emma or her host anthology suspended its publication.”

At the end of the article Yadao also shares some of his thoughts about vols 8-10 — or to be more precise, part of the conversation he had with Wilma Jandoc (who also contributed her own review of vols 1-7) about the “Emmaverse” volumes.

Click here for the archive of all Emma Manga Moveable Feast links



Emma MMF: Daily Diary, vol. 5

filed under , 12 March 2010, 11:23 by

Emma, vol. 5
Writer & Artist: Kaoru Mori
Published by: CMX

192 (180) pages.
Original Language: Japanese
Orientation: Right to Left
Vintage: 2005. US edition Sep. 2007.
Translation & Adaptation: Sheldon Drzka
Lettering: Janice Chiang
Design: Larry Berry
Editor: Jim Chadwick

Publisher’s Rating: Teen Plus, for “Suggestive Situations”
isbn 9781401211363

##

Premise: Our maid, Emma, and her lover, William, in Full-On, BBC/Masterpiece Theater-style Costume Drama. Class differences and circumstances conspire to keep them apart…

##

Review:

Following the Capital Letter Ending! of the last volume, of course it’s time to take a step back from the story (while also prolonging the reader’s anticipation for What Happens Next!) so volume 5 opens with a 2 chapter flashback. It’s a delaying tactic, lest the overall momentum built in volume 4 threaten to overwhelm the reader or precipitate the premature climax of the series.

But, oh, what a delaying tactic: Mori takes us back to 1872, when William’s father Richard Jones is just starting to enter polite society — a very young Richard, in fact, around the age when he was thinking of taking a wife. Of course, as upstart nouveau riche, even in a backwater English county he’s not getting much of a reception. It would take an odd girl to be smitten by such a man,

[Look at that hair, look at that smile. Mori, you do good work.]

What follows in these two compressed chapters is not just the courtship of William’s parents, but also a good chunk of the Jones’s family life: five kids, travails in polite society, health problems, the slow but steady grinding of a genuine, and quite fond, love against the millstone of reality and the steadily hardening will of one Mr. Richard Jones.

Many manga-ka use a shortcut—black panel borders—to denote a flashback. Mori doesn’t; there is a subtle change in art, combining a fair amount of hatching and inkwork with plainer screen tones (I note only two, both plain shades of grey) that combine to make the two introductory chapters seem like faded sepia-toned photographs in comparison to the rest of the books. I really like the effort, and the effect, which is why I bring it to your attention

After that brief, touching opening, though

There is the stark reality of the Morning After. Note: there is no dialogue, no interior monologue, in these two pages, but you know exactly what’s running through Emma’s mind, especially in that second page.

Our two leads had thought themselves separated forever. Now that William knows where to find Emma, and Emma knows William’s heart is true — they start up a fevered corresponce (fevered in Victorian terms) and even over the distance that stands between them, their love grows. Eventually, William takes a chance. Maybe he really did it without thinking, as is suggested in the book: He goes out for a walk, and before he knows it he’s on a train, then seeking out a certain manor, and walking up the drive when he’s spotted from a second story window by a certain maid who doesn’t think, just runs runs runs into his arms…

Yes. It’s a touching image.

I really love the reactions on the next pages, though:

I agree, Mrs. Meredith. I agree.

Click here for the archive of all Emma Manga Moveable Feast links



Emma MMF: David Welsh pt. 2

filed under , 11 March 2010, 08:52 by

David comes back with a second submission, this time concentrating on vol. 10

“I don’t know if this is exactly in the spirit of the Manga Moveable Feast, which I suspect is more to introduce people to great manga than to discuss it among the converted, but I feel like exploring the tenth and final volume of Kaoru Mori’s Emma (CMX) in depth, so this will require a bit of a spoiler warning. So click for more if you’re in a place where discussing how things end won’t have deleterious influence! If not, just enjoy this little bit of adorable nonsense from Mori.”

click through to read the Mori comic strip at The Manga Curmudgeon… but don’t scroll down or you’ll run into the spoilers.

see also: the archive of all Emma Manga Moveable Feast links



Emma MMF: Brigid Alverson et al.

filed under , 11 March 2010, 08:13 by

Just when things seemed to be slowing down a bit, Brigid Alverson at Manga Blog points us to not one but three previously written reviews

So long as I’m playing catch up this morning, I’ve additional links from other participants previous cited:

I hope the relative quiet means additional contributors are busy reading and writing, trying to make it in before the ‘deadline’ — to reassure everyone, and maybe take the pressure off: even after the artificial cut-off point I am more than happy to post Emma links both on my main page on the Emma MMF Hub

Additionally, I’m not going to post my final conclusions until Monday. A full 10 days seems only fair for a 10 volume series.

Thanks to everyone who has participated so far, and thanks for reading! If you have an Emma review (even one previously written, as most of the above linked articles were) please send me an email at matt [at] rocketbomber [dot] com.

Since we’re playing catch-up this friday, I’ll also repost links to these



Emma MMF: Daily Diary, vol. 4

filed under , 10 March 2010, 08:29 by

Emma, vol. 4
Writer & Artist: Kaoru Mori
Published by: CMX

192 (184) pages.
Original Language: Japanese
Orientation: Right to Left
Vintage: 2004. US edition June 2007.
Translation & Adaptation: Sheldon Drzka
Lettering: Janice Chiang
Design: Larry Berry
Editor: Jim Chadwick

Publisher’s Rating: Teen Plus, for “Nudity and Suggestive Situations”
isbn 9781401211356

##

Premise: We follow our maid, Emma, and her gentleman into a wider world: It’s still a BBC/Masterpiece Theater-style historical drama, but wanders much further than a one-time London romance story… while newly revealed relationships between old characters and new rachet up the drama

##

Review:

In her afterword, Mori calls this the All-Crying volume.

And indeed it is. There is a lot of drama and emotion packed into this one, and while plot-gobstoppers only drop every other chapter or so, they begin to pile up fast. In fact, were getting to the point where it will be hard to continue the review without spoilers. —I’ll try, but if you were intrigued enough by what I’ve written so far to read the books for yourself, consider yourself warned. Then you’ll want to maybe just skim past the words in this one and look at the pretty pictures.

Speaking of the art: man, my copy has like 15 sticky notes sticking out of it right now. So many panels I’d like to share… let’s see if I can pare that down to just 4.

Things between Eleanor and William are proceeding like you might expect when an attractive young lady has a crush on a seemingly available young man — better than you might expect, actually, if you read a lot of shojo manga. Circumstances and the odd bit of meddling from other characters conspire to throw the two together, in fact. One evening, at the opera (of course the Joneses have a private box) a dropped locket or other trinket leads to a search on the floor

You know, I don’t think we ever find out what Eleanor dropped, but William has certainly found something (and we can only guess what she whispered in his ear). I don’t think we know, first hand, exactly what William’s reply to Eleanor was either.

But certainly one version of that conversation gets out…

Do I need to introduce Eleanor’s sister? I think you get that from the scan above. (and please note the Jones Siblings in panels 3, & 6)

##

There is a great exchange between Emma and Mrs. Meredith on pages 112 & 113, in which Emma is shown (on top of all her other hidden talents) to have knowledge of a little Shakespeare as well. Just what has her education been like? However, I can’t post a scan as the conversation takes place in Mrs. Meredith’s dressing room, and did you notice the slight addition to the publisher’s rating for this volume? I don’t mind myself — and pg.112 is absolutely gorgeous: the pattern in the carpet, the paisley and fringes of the drapes, the London skyline (featuring Big Ben) in the background seen out the window, oh, and Mrs. Meredith absolutely starkers greeting the morning non-chanlantly. Her pose in that one, full page panel says a lot about her character, which is then reinforced in the next few pages: It’s not that she has no shame, it’s just that in the privacy of her rooms it doesn’t occur to her to be emabarassed.

Of course it’s gratitous nudity, but it does have some purpose. And Mori can really draw — in the book we have a depiction of a woman who is both middle-aged and a little curvy, while also being beautiful. (I take that back: she’s a mom but both her children are young— she’s likely just in her mid- to late twenties.) And I’d scan it, but we’ll keep the blog worksafe this week.

But enough cheesecake.

Emma and her employers are in London, as noted, and while the chances in real life of running into someone in a city of a million plus would seem to be—well, actually is—one in a million, this is fiction so of course you already know William and Emma are going to see one another again.

It’s where they meet, and how, and the events in William’s life that occurred in the interim that make all the difference. The pivotal chapter in this book is the last: Chapter 29 “Emma and William”.

Here’s how Emma looks, when you get her out of uniform. (kinda miss the glasses, though)

Aurelia, dear, would you be so kind as to make the introductions?

##

Rob McMonigal was also posting volume-by-volume reviews; read his take on Vol. 4 here

Click here for the archive of all Emma Manga Moveable Feast links



Emma MMF: Oh, and about that biplane...

filed under , 9 March 2010, 18:35 by

Remember this?

EmmaVol1Pg31Panels4-7

Not being the right kind of geek, I didn’t know which plane that was, but I knew it wasn’t 19th century — no matter how late in that century we’d care to look.

So I put the question to my research staff [uclue.com] and got the answer back last night:

Uclue Guru Byrd (and by the way, if “Uclue Guru” isn’t the official job title, you guys need to fix that.) who is, in fact, an aviation enthusiast and pilot, went above and beyond and besides in tracking down the answer to my simple question. I’m about to quote liberally from his answer, because I paid for it.

First of all, the story takes place in the 1890s. The earliest biplanes
were built during that decade, so the timeframe is slightly plausible.
However, the design of the first biplanes were nothing like the one in the
drawing. See this account with images of the Wright Brothers first biplane,
built in 1899:
http://www.fi.edu/flight/first/before.html

Here are a couple more links showing early biplanes from approximately the
same era:

“Biplane Glider of Octave Chanute, c1896 (1910)”
http://www.heritage-print.com/pictures_1229916/biplane-glider-of-octave-chanute-c1896-1910.html

“1900’s Wright Glider”
http://www.playle.com/listing.php?i=NKYPHOTOS120&PHPSESSID=a

1910 Bristol Box Kite
http://www.military-aircraft.org.uk/other-military-aircraft/bristol-boxkite.htm

You’ll notice these very early biplanes look much different than the one in
the “Emma” drawing, which would be actually quite futuristic for the time
in which the story is set. Apparently this fact was noticed by others
also.

In one review of the comic, the reviewer says, “the toy biplane on pg. 31 is
an anachronism,” which of course means something that cannot have existed
at the time stated.
http://www.rocketbomber.com/2010/03/07/emma-mmf-daily-diary-vol-1

[oh, yeah, I got a chuckle out of that bit.]

Apparently the author, or at least her staff agreed, as in a future edition
of Emma, according to another commenter, “Kaoru Mori got it half-wrong …
but the staff of the anime corrected her error. The anime still had a
flying model aircraft, but they replaced her relatively futuristic biplane
with a model of the Aerial Steam Carriage, an 1840s design that didn’t
fly but might have been known about by at least a few people (there was an
aviation display at the Crystal Palace, even if controlled, powered flight
had yet to occur):
http://etonia.wordpress.com/2010/01/04/review-emma-vols-1-2/

According to this Wikipedia article, author Kaoru Mori attempted in Emma
“to recreate 1895 London with meticulous detail.” However, since there were
no biplanes flying around London in 1895, it’s obvious that she could not
have drawn an actual biplane from that time and place.
http://en.wikipedia.org/wiki/Emma_(manga)

After a little discussion, and the conclusion that it wasn’t an actual production model (or prototype) and certainly wasn’t extant in 1895, I asked Byrd to pick a date: He came back with:

Hi Mblind,

I’m glad you were pleased with the research and information. I believe the
closest matches to the Emma drawing might be the Avro 504 (1916), the
Bristol Fighter (1916), and the Gotha Bomber (early 1917). Therefore my
best guess as to the vintage of the biplane in the Emma drawing would be
mid-WWI or 1916.

No insult or accusation is aimed at Mori in the case. It’s a great art detail, and also says quite a bit about both William and the Joneses, in just a single page. We’ll squint a bit and pretend it’s not 21 years too early.

##

I’ve used Uclue before (for one of the rethinking the box columns, among other things) and let me again restate my recommendation: it’s a great service, and they have excellent staff, and the turnaround time [in my experience] is usually just 24 hours.

Click here for the archive of all Emma Manga Moveable Feast links



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Yes, all the links are broken.

On June 1, 2015 (after 6 years and 11 months) I needed to relaunch/restart this blog, or at least rekindle my interest in maintaining and updating it.

Rather than delete and discard the whole thing, I instead moved the blog -- database, cms, files, archives, and all -- to this subdomain. When you encounter broken links (and you will encounter broken links) just change the URL in the address bar from www.rocketbomber.com to archive.rocketbomber.com.

I know this is inconvenient, and for that I apologise. In addition to breaking tens of thousands of links, this also adversely affects the blog visibility on search engines -- but that, I'm willing to live with. Between the Wayback Machine at Archive.org and my own half-hearted preservation efforts (which you are currently reading) I feel nothing has been lost, though you may have to dig a bit harder for it.

As always, thank you for reading. Writing version 1.0 of Rocket Bomber was a blast. For those that would like to follow me on the 2.0 - I'll see you back on the main site.

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